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Page 54
... death , astonishment at finding ourselves alive , the fragility of happiness , the sweetness and briefness of security ; the pathos , as it were , of a lonely house , its windows bravely lit , against which the dark batteries of the ...
... death , astonishment at finding ourselves alive , the fragility of happiness , the sweetness and briefness of security ; the pathos , as it were , of a lonely house , its windows bravely lit , against which the dark batteries of the ...
Page 187
... Death appears . Now , Death is a cool lady in evening dress , for only in disguise could she go about the world and do her work . She enters our houses through the looking glass ( look yourself in a glass if you wish to see death ...
... Death appears . Now , Death is a cool lady in evening dress , for only in disguise could she go about the world and do her work . She enters our houses through the looking glass ( look yourself in a glass if you wish to see death ...
Page 347
... death , and we from a painfully sardonic ending . He dies in a nap while his wife is out buying kippers for supper . There is a black - out , and the process of death is presented as a vision interrupted at one point by the reappearance ...
... death , and we from a painfully sardonic ending . He dies in a nap while his wife is out buying kippers for supper . There is a black - out , and the process of death is presented as a vision interrupted at one point by the reappearance ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth