Drama |
From inside the book
Results 1-3 of 35
Page 44
... curtain , but damn curtains . Whatever passion Hamlet throws into these words , he must keep his top note of triumphant excitement for wild snatches of song which burst from him , when the King has rushed from the hall and the torches ...
... curtain , but damn curtains . Whatever passion Hamlet throws into these words , he must keep his top note of triumphant excitement for wild snatches of song which burst from him , when the King has rushed from the hall and the torches ...
Page 238
... curtain hides what we gather , in the next act , to have been a very ugly row : the Duchesse in hysterics and " Arthur " in little better , though he would no doubt have described it as a strong man's wrath . And it is in this last act ...
... curtain hides what we gather , in the next act , to have been a very ugly row : the Duchesse in hysterics and " Arthur " in little better , though he would no doubt have described it as a strong man's wrath . And it is in this last act ...
Page 298
... curtains , and members of the circle began to cry out excitedly that someone had slapped or touched them . The Captain was ... curtain . The room was almost dark , so I could not see round it . It was dressed rather like a nun , in black ...
... curtains , and members of the circle began to cry out excitedly that someone had slapped or touched them . The Captain was ... curtain . The room was almost dark , so I could not see round it . It was dressed rather like a nun , in black ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
27 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth