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Page 100
... appear with the effect almost of a phantom . He crosses the scene twice . The first time he is a megalomaniac day- dreamer ... appears it is as a self - confessed bank- rupt . On Rosmer he has now the effect of a shabby spectre of all ...
... appear with the effect almost of a phantom . He crosses the scene twice . The first time he is a megalomaniac day- dreamer ... appears it is as a self - confessed bank- rupt . On Rosmer he has now the effect of a shabby spectre of all ...
Page 292
... appear- ance is particularly suited to the part . He possesses grace and vitality , but he struck me as over - acting in the ... appears on the stage a much more colourless person than he was in fact , and gives Mr. Felix Aylmer scanty ...
... appear- ance is particularly suited to the part . He possesses grace and vitality , but he struck me as over - acting in the ... appears on the stage a much more colourless person than he was in fact , and gives Mr. Felix Aylmer scanty ...
Page 334
... appears to be rather rare now- adays in men of talent . You cannot say that Ber- nard Shaw loves his characters ; his attitude towards them is a critical and amused benevolence . He never hates ; he sometimes admires ; he always ...
... appears to be rather rare now- adays in men of talent . You cannot say that Ber- nard Shaw loves his characters ; his attitude towards them is a critical and amused benevolence . He never hates ; he sometimes admires ; he always ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth