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Page 3
... theatre that each playgoer carries under his own hat , it has already been performed , perhaps several times and in several ways . We are our own scene makers and shifters in that theatre , and what easy miracles we perform ! The action ...
... theatre that each playgoer carries under his own hat , it has already been performed , perhaps several times and in several ways . We are our own scene makers and shifters in that theatre , and what easy miracles we perform ! The action ...
Page 120
... Theatre I only regained consciousness of my own identity in between the acts . That is the test of a good production of a good play . At The Three Sisters was first performed in London in the spring of 1920 by the Art Theatre Society ...
... Theatre I only regained consciousness of my own identity in between the acts . That is the test of a good production of a good play . At The Three Sisters was first performed in London in the spring of 1920 by the Art Theatre Society ...
Page 261
... theatre . I enjoyed it ; I wept - for I am not one of those who obstinately refuse to be led to the fountain of easy tears . It is a mistake not to enjoy sentiment ; criticize it afterwards if you will , but it is stupid to withdraw ...
... theatre . I enjoyed it ; I wept - for I am not one of those who obstinately refuse to be led to the fountain of easy tears . It is a mistake not to enjoy sentiment ; criticize it afterwards if you will , but it is stupid to withdraw ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth