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Page 225
... Shaw . It is the result of having been before the public a long time . The English have a habit of proclaiming ... Shaw might be envious . " ( Yes , of course , they ought to be . ) " Let me say " , wrote another critic , " this is one ...
... Shaw . It is the result of having been before the public a long time . The English have a habit of proclaiming ... Shaw might be envious . " ( Yes , of course , they ought to be . ) " Let me say " , wrote another critic , " this is one ...
Page 266
Desmond MacCarthy. MR . SHAW'S JULIUS CÆSAR IT IS not likely that Mr. Shaw will find again so admirable an interpreter as Mr. Forbes - Robert- son for his Cæsar ; among the huge farewell audiences at Drury Lane many must have felt that ...
Desmond MacCarthy. MR . SHAW'S JULIUS CÆSAR IT IS not likely that Mr. Shaw will find again so admirable an interpreter as Mr. Forbes - Robert- son for his Cæsar ; among the huge farewell audiences at Drury Lane many must have felt that ...
Page 274
... Shaw did not take my point about the effect of transferring Cæsar's words to Metellus to the mouth of his own Cæsar . I did not object to his Cæsar because he was " squeamish about killing people " ( though I think the real Cæsar tended ...
... Shaw did not take my point about the effect of transferring Cæsar's words to Metellus to the mouth of his own Cæsar . I did not object to his Cæsar because he was " squeamish about killing people " ( though I think the real Cæsar tended ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth