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Page 96
... Ibsen's plays , too , it is the search for the right way of living which sharpens to penetration his eye for ... Ibsen was the greatest of modern dramatists because he was the most hungry after truth . The " moral " of an Ibsen play is ...
... Ibsen's plays , too , it is the search for the right way of living which sharpens to penetration his eye for ... Ibsen was the greatest of modern dramatists because he was the most hungry after truth . The " moral " of an Ibsen play is ...
Page 99
... Ibsen's work . In Rosmersholm Ibsen transfers the same struggle into a psychological drama of modern life and then - watches what will happen . The result is mutual laceration , not reconciliation - unless that climax - scene between ...
... Ibsen's work . In Rosmersholm Ibsen transfers the same struggle into a psychological drama of modern life and then - watches what will happen . The result is mutual laceration , not reconciliation - unless that climax - scene between ...
Page 208
... Ibsen has had little influence . Few dramatists have learnt from his example . I hail Mr. Joyce as one of the few who have grasped the value of two principles in dramatic art of which Ibsen is the master exponent . The first is that on ...
... Ibsen has had little influence . Few dramatists have learnt from his example . I hail Mr. Joyce as one of the few who have grasped the value of two principles in dramatic art of which Ibsen is the master exponent . The first is that on ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
DRAMA AND DOSTOEVSKY The Idiot Septem | 91 |
Copyright | |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest interpretation Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman wonder words write young youth