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THE PRODUCTION OF POETIC DRAMA February
The Kingdom of God November 5th 1927
The Fugitive September 27th 1913
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actors admirable appears artist audience beauty believe better bring Cæsar character comedy course criticism curtain death delight dialogue drama dramatist effect emotion English enjoy excellent expression eyes face fact failed fall father feel figure gestures girl give Hamlet hand happen human Ibsen idea imagination important impression interest interpretation kind leaves lies light lines live look lover matter means mind Miss moment moments moving nature never night once passages passion performance perhaps person play producer relations remember respect Sarah Bernhardt scene seems seen sense sentiment Shakespeare Shaw side speak spirit stage story suggest tell tenderness Theatre theme things thought tion touch tragedy true turn understand voice whole wife woman write young youth