Critical Approaches to American Literature: Walt Whitman to William FaulknerCrowell, 1965 - American literature |
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Page 38
... learned anything as critics in the past fifty years , what we have learned is to welcome arti- ficial golden birds that warble mechanically in expensive golden trees ; we are learning likewise not merely to accept but actually to ...
... learned anything as critics in the past fifty years , what we have learned is to welcome arti- ficial golden birds that warble mechanically in expensive golden trees ; we are learning likewise not merely to accept but actually to ...
Page 49
... learned from the bird's long aria how to receive into his songs sorrow and loss and solitude ( that is , " the sweet hell within " ) as central themes . But he has also learned something more - he has learned a rhetorical technique for ...
... learned from the bird's long aria how to receive into his songs sorrow and loss and solitude ( that is , " the sweet hell within " ) as central themes . But he has also learned something more - he has learned a rhetorical technique for ...
Page 287
... learned courage from a British officer ( Wilson is very British ) who gave him , Hemingway , the identical message Wilson here gives Ma- comber : 1942 " By my troth , I care not ; a man can die but once ; we owe God a death and let it ...
... learned courage from a British officer ( Wilson is very British ) who gave him , Hemingway , the identical message Wilson here gives Ma- comber : 1942 " By my troth , I care not ; a man can die but once ; we owe God a death and let it ...
Contents
до | 1 |
Whitman I | 14 |
Richard P Adams Whitmans Lilacs and the Tradition | 28 |
Copyright | |
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Adam American girl American Literature artist Barnes becomes beginning bird Brett character Clemens Cohn conscience consciousness Cowperwood Crane critics culture Daisy dead death dramatic Dreiser emotion Ernest Hemingway evil experience Ezra Pound fact Faulkner feel Fiction finally Fitzgerald freedom Gatsby Hadleyburg Hemingway Hemingway's Henry James hero Huck and Jim Huck's Huckleberry Finn human ideas imagination innocence Isabel James's kind Leaves of Grass Lilacs lines literary living man's Marcher Mark Twain Mauberley McCaslin meaning mind Modern moral narrator nature Negro Nick Nick Adams novel passage poem poet poetry point of view raft reader Reprinted Robert Frost romantic says Scott Fitzgerald seems sense social society song spirit Stephen Crane story symbol T. S. Eliot tells theme things thought tion Tom's tradition tragic unity Wallace Stevens Walt Whitman Waste Land Whitman wilderness William Faulkner words writing York