New Theatres for Old

acting action actors Adolphe Appia Antoine Antoine's Appia Art Theatre artistic audience auditorium Baroque Belasco Brecht Broadway century character cinema classic color comedy Company Constantin Stanislavsky conventional costumes critics curtain director drama dramatist emotional environment Epic theatre Eugene O'Neill fact film forestage French Georg Fuchs George German Greek Group Theatre Hollywood human idea illusion illusory John Howard Lawson light mask Max Reinhardt means Meiningen ment method Meyerhold modern Molière Moscow Art Moscow Art Theatre motion pictures movement movie Naturalism Naturalistic opera painted Paris performance period Piscator play playgoers playhouse playscript playwrights political propaganda proscenium psychology Reinhardt rôle Romantic Russian scene design scenery scenic Schweik screen script seems Shakespeare Soviet theatre spectator stage form stage platform stage setting Stanislavsky Stanislavsky system story style Symbolist symbols technique Theatre Arts Théâtre-Libre theatre's theatrical Theatricalist thought tion troupe Volksbühne Wagner walls whole workers York Zola