Madonna Romola's word was not to he resisted, and the white train moved on. They even moved with haste, as if some new object had caught their eyes; and Tessa felt with bliss that they were gone, and that her necklace and clasp were still with her.

"Oh, I will go back to the house," she said, still agitated; "I will go nowhere else. But if I should meet them again. and you not be there?" she added, expecting everything from this heavenly lady.

66

Stay a little," said Romola. "Come with me under this doorway, and we will hide the necklace and clasp, and then you will be in no danger."

She led Tessa under the archway, and said, "Now, can we find room for your necklace and belt in your basket? Ah! your basket is full of crisp things that will break: let us be careful, and lay the heavy necklace under them."

It was like a change in a dream to Tessa―the escape from nightmare into floating safety and joy-to find herself taken care of by this lady, so lovely, and powerful, and gentle. She let Romola unfasten her necklace and clasp, while she herself did nothing but look up at the face that bent over her.

They are sweets for Lillo and Ninna," she said, as Romola carefully lifted up the light parcels in the basket, and placed the ornaments below them.

"Those are your children?" said Romola, smiling. 66 And you would rather go home to them than see any more of the Carnival? Else you have not far to go to the Piazza de' Signori, and there you would see the pile for the great bonfire."

66

66 I shall never like

said Tessa eagerly; No, oh no! bonfires again. I will go back."

66

"You live at some castello, doubtless," said Romola, not waiting for an answer. Towards which gate do you go?" "Towards Por' Santo Croce."

"Come, then," said Romolo, taking her by the hand and leading her to the corner of a street nearly opposite. "If you go down there," she said, pausing, "you will soon be in a straight road. And I must leave you now, because some one else expects me. You will not be frightened. Your pretty things are quite safe now. Addio.

66

Addio, Madonna," said Tessa, almost in a whisper, not knowing what else it would be right to say; and in an instant the heavenly lady was gone. Tessa turned to catch a last glimpse, but she only saw the tall gliding figure vanish round

the projecting stonework. So she went on her way in wonder, longing to be once more safely housed with Monna Lisa, undesirous of carnivals for evermore.

Baldassarre had kept Tessa in sight till the moment of her parting with Romola: then he went away with his bundle of yarn. It seemed to him that he had discerned a clue which might guide him if he could only grasp the necessary details firmly enough. He had seen the two wives together, and the sight had brought to his conceptions that vividness which had been wanting before. His power of imagining facts needed to be reinforced continually by the senses, The tall wife was the noble and rightful wife; she had the blood in her that would be readily kindled to resentment; she would know what scholarship was, and how it might lie locked in by the obstructions of the stricken body, like a treasure buried by earthquake. She could believe him: she would be inclined to believe him, if he proved to her that her husband was unfaithful. Women cared about that: they would take vengeance for that. If this wife of Tito's loved him, she would have a sense of injury which Baldassarre's mind dwelt on with keen longing, as if it would be the strength of another Will added to his own, the strength of another mind to form devices.

Both these wives had been kind to Baldassarre, and their acts towards him, being bound up with the very image of them, had not vanished from his memory; yet the thought of their pain could not present itself to him as a check. To him it seemed that pain was the order of the world for all except the hard and base. If any were innocent, if any were noble, where could the utmost gladness lie for them? Where it lay for him-in unconquerable hatred and triumphant vengeance. But he must be cautious: he must watch this wife in the Via de' Bardi, and learn more of her; for even here frustration was possible. There was no power for him now but in patience.

CHAPTER LI.

MONNA BRIGIDA'S CONVERSION.

WHEN Romola said that some one else expected her, she meant her cousin Brigida, but she was far from suspecting how much that good kinswoman was in need of her. Returning together towards the Piazza, they had descried the company of youths coming to a stand before Tessa, and when Romola, having approached near enough to see the simple little contadina's distress, said, "Wait for me a moment, cousin," Monna Brigida said hastily, "Ah, I will not go on : come for me to Boni's shop,-I shall go back there."

The truth was, Monna Brigida had a consciousness on the one hand of certain "vanities" carried on her person, and on the other of a growing alarm lest the Piagnoni should be right in holding that rouge, and false hair, and pearl embroidery, endamaged the soul. Their serious view of things filled the air like an odor; nothing seemed to have exactly the same flavor as it used to have; and there was the dear child Romola, in her youth and beauty, leading a life that was uncomfortably suggestive of rigorous demands on woman. A widow at fifty-five whose satisfaction has been largely drawn from what she thinks of her own person, and what she believes others think of it, requires a great fund of imagination to keep her spirits buoyant. And Monna Brigida had begun to have frequent struggles at her toilet. If her soul would prosper better without them, was it really worth while to put on the rouge and the braids? But when she lifted the hand-mirror and saw a sallow face with baggy cheeks, and crows'-feet that were not to be dissimulated by any simpering of the lips-when she parted her gray hair, and let it lie in simple Piagnone fashion round her face, her courage failed. Monna Berta would certainly burst out laughing at her, and call her an old hag, and as Monna Berta was really only fiftytwo, she had a superiority which would make the observation cutting. Every woman who was not a Piagnone would give a shrug at the sight of her, and the men would accost her as if she were their grandmother. Whereas, at fifty-five a woman was not so very old-she only required making up a little. So the rouge and the braids and the embroidered berretta

up

went on again, and Monna Brigida was satisfied with the ac customed effect; as for her neck, if she covered it up, people might suppose it was too old to show, and, on the contrary, with the necklaces round it, it looked better than Monna Berta's. This very day, when she was preparing for the Piagnone Carnival, such a struggle had occurred, and the conflicting fears and longings which caused the struggle, caused her to turn back and seek refuge in the druggist's shop rather than encounter the collectors of the Anathema when Romola was not by her side. But Monna Brigida was not quite rapid enough in her retreat. She had been descried, even before she turned away, by the white-robed boys in the rear of those who wheeled round towards Tessa, and the willingness with which Tessa was given up was, perhaps, slightly due to the fact that part of the troop had already accosted a personage carrying more markedly upon her the dangerous weight of the Anathema. It happened that several of this troop were at the youngest age taken into peculiar training; and a small fellow of ten, his olive wreath resting above cherubic cheeks and wide brown eyes, his imagination really possessed with a hovering awe at existence as something in which great consequences impended on being good or bad, his longings nevertheless running in the direction of mastery and mischief, was the first to reach Monna Brigida and place himself across the path. She felt angry, and looked for an open door, but there was not one at hand, and by attempting to escape now, she would only make things worse. But it was not the cherubic-faced young one who first addressed her; it was a youth of fifteen, who held one handle of a wide basket.

"Venerable mother!" he began, "the blessed Jesus commands you to give up the Anathema which you carry upon you. That cap embroidered with pearls, those jewels that fasten up your false hair-let them be given up and sold for the poor; and cast the hair itself away from you, as a lie that is only fit for burning. Doubtless, too, you have other jewels under your silk mantle."

66

Yes, lady," said the youth at the other handle, who had many of Fra Girolamo's phrases by heart, "they are too heavy for you: they are heavier than a millstone, and are weighting you for perdition. Will you adorn yourself with the hunger of the poor, and be proud to carry God's curse upon your head?"

"In truth you are old, buona madre," said the cherubic boy, in a sweet soprano. "You look very ugly with the red

on your cheeks and that black glistening hair, and those fine things. It is only Satan who can like to see you. Your Angel is sorry, He wants you to rub away the red."

The little fellow snatched a soft silk scarf from the basket and held it towards Monna Brigida, that she might use it as her guardian angel desired. Her anger and mortification were fast giving way to spiritual alarm. Monna Berta and that cloud of witnesses, highly-dressed society in general, were not looking at her, and she was surrounded by young monitors, whose white robes, and wreaths, and red crosses, and dreadful candor, had something awful in their unusualness. Her Franciscan confessor, Fra Cristoforo of Santa Croce, was not at hand to reinforce her distrust of Dominican teaching, and she was helplessly possessed and shaken by a vague sense that a supreme warning was come to her. Unvisited by the least suggestion of any other course that was open to her, she took the scarf that was held out, and rubbed her cheeks, with trembling submissiveness.

"It is well, madonna," said the second youth. "It is a holy beginning. And when you have taken those vanities from your head, the dew of heavenly grace will descend on it." The infusion of mischief was getting stronger, and putting his hand to one of the jewelled pins that fastened her braids to the berretta, he drew it out. The heavy black plait fell down over Monna Brigida's face, and dragged the rest of the head-gear forward. It was a new reason for not hesitating: she put up her hands hastily, undid the other fastenings, and flung down into the basket of doom her beloved crimson velvet berretta, with all its unsurpassed embroidery of seedpearls, and stood an unrouged woman, with gray hair pushed backward from a face where certain deep lines of age had triumphed over embonpoint.

But the berretta was not allowed to lie in the basket. With impish zeal the youngsters lifted it, and held it up pitilessly, with the false hair dangling.

"See, venerable mother," said the taller youth, "what ugly lies you have delivered yourself from! And now you look like the blessed Saint Anna, the mother of the Holy Virgin."

Thoughts of going into a convent forthwith, and never showing herself in the world again, were rushing through Monna Brigida's mind. There was nothing possible for her but to take care of her soul. Of course, there were spectators laughing she had no need to look round to assure herself of