"And, from the prayer of Want, and plaint of Woe, O never, never turn away thine ear. Forlorn in this bleak wilderness below, Ah! what were man, should Heaven refuse to hear! To others do (the law is not severe) What to thyself thou wishest to be done. Forgive thy foes; and love thy parents dear, And friends and native land; nor those alone; All human weal and woe learn thou to make thine own." "The cottage curs at early pilgrim bark; Crown'd with her pail the tripping milk-maid sings; The whistling ploughman stalks afield; and hark! Down the rough slope the ponderous waggon rings; Thro' rustling corn the hare astonish'd springs; Slow tolls the village clock the drowsy hour; The partridge bursts away on whirring wings; Deep mourns the turtle in sequester'd bower, And shrill lark carols clear from her aërial tour. "O Nature, how in every charm supreme! To sing thy glories with devotion due! "Hence! ye who snare and stupify the mind, Hence to dark Error's den, whose rankling slime First gave you form! hence! lest the Muse should deign (Tho' loth on theme so mean to waste a rhyme,) With vengeance to pursue your sacrilegious crime. "One part, one little part, we dimly scan "Is there a heart that music cannot melt? Alas! how is that rugged heart forlorn! Is there, who ne'er those mystic transports felt Of solitude and melancholy born? He needs not woo the Muse; he is her scorn. The sophist's rope of cobweb he shall twine; Sneak with scoundrel fox, or grunt with glutton swine. "O Thou, at whose creative smile, yon heaven, In all the pomp of beauty, life, and light, Rose from the abyss; when dark Confusion, driven Fled, where he ever flies thy piercing sight! Melt the hard heart to love and mercy's sway, "I cannot blame thy choice," the Sage replied,. And yet even there, if left without a guide, The young adventurer unsafely plays. In modest Truth no light nor beauty find. And who, my child, would trust the meteor-blaze, More dark and helpless far, than if it ne'er had shin'd?” Page 23. "So too, the instructive Rogers." Among the classic productions of our country," the Pleasures of Memory," and "the Pleasures of Hope," will always retain a distinguished place. Unlike the ephemeral oblations of Genius, or the results of impotent thought tortured to the last "dregs and squeezings of the brain," these elegant tablets of mentality are now to be found in every select cabinet of taste. They exhibit concentration of sentiment, delectable thought, and exquisite expression. If once perused, they will always be read again with increasing satisfaction. Of that class, in which, in the main, the elegance of taste predominates over the sublimity of genius, (as may be observed in the kindred productions of Goldsmith, Pope, and Gray,) they will never fail to be quoted by the sentimental, and admired by all. In his first production Mr. Rogers has been the most successful. Some of his smaller pieces are admirable; particularly the verses, "On a Tear;" "The Sailor;" "To the Gnat;" "To the Butterfly; and "To a Friend on his Marriage." The following will give an adequate idea of the talent he has displayed: Lull'd in the countless chambers of the brain, Each, as the various avenues of sense Delight or sorrow to the soul dispense, Brightens or fades; yet all, with magic art, Control the latent fibres of the heart. "What soften'd views thy magic glass reveals, "Ah, then, what honest triumph flush'd my breast! This truth once known-To bless is to be blest! We led the bending beggar on his way, (Bare were his feet, his tresses silver-gray) Sooth'd the keen pangs his aged spirit felt, And on his tale with mute attention dwelt. As in his scrip we dropt our little store, And wept to think that little was no more, He breath'd his pray'r," Long may such goodness live!" 'Twas all he gave, 'twas all he had to give. Angels, when Mercy's mandate wing'd their flight, Had stopt to catch new rapture from the sight. "But can her smile with gloomy Madness dwell? And mould the coinage of the fever'd brain? |