Monsters of Affection: Dickens, Eliot, & Bronte on Fatherhood |
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Page 101
... speaks the word of rebuke , however sympathetic . Gwendolen , whose moral wrong consists in having " broken her word , " having failed to bind herself to action through that word , finds herself driven to speak and listen to Deronda to ...
... speaks the word of rebuke , however sympathetic . Gwendolen , whose moral wrong consists in having " broken her word , " having failed to bind herself to action through that word , finds herself driven to speak and listen to Deronda to ...
Page 121
... speaks in the voice of Charles Townshend as easily as she speaks in her own voice , Bronte identifies with both male and female desire and so partakes of the pleasures of both libidinal economies . The language of desire takes as its ...
... speaks in the voice of Charles Townshend as easily as she speaks in her own voice , Bronte identifies with both male and female desire and so partakes of the pleasures of both libidinal economies . The language of desire takes as its ...
Page 125
... speaks from and in formlessness and privileges touch - or con- tiguity - over teleology and voice over the gaze . In ... speak about sexual , social , or military strategy . Yet this dialogue is also no dialogue . It does not pass ...
... speaks from and in formlessness and privileges touch - or con- tiguity - over teleology and voice over the gaze . In ... speak about sexual , social , or military strategy . Yet this dialogue is also no dialogue . It does not pass ...
Contents
Authors of Being | 10 |
A Sort of Father | 65 |
Masters and Mastery | 119 |
Copyright | |
3 other sections not shown
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Adam Bede appears authority autobiography Barnaby Rudge becomes bind Bronte's narratives brother Caroline Casaubon castration Charles Dickens Charlotte Bronte child Clennam creates Crimsworth Daniel Deronda David Copperfield death debt defines Deronda desire Dickens's narratives Dombey Dorothea Dorrit double engender Esther family romance fantasy father and daughter fatherhood Felix Holt female fictional father figurative father Florence Freud gaze genealogy George Eliot ghost Gwendolen heroine identifies imagines incest interprets Jane Eyre Jane's Jean Laplanche Lacan language Laplanche Letters linguistic Little Dorrit Lucy Snowe Lucy's Magwitch male marriage marries masculine master memory metaphor Middlemarch mother murdered father narrative project narrative structure narrator nineteenth-century novel oedipal Oedipus complex origin parricide paternal patriarchal phallus Pip's Polly primal scene Psychoanalysis punishment reader refuses relationship represents resembles retroactively Rochester Romola Rudge scene of seduction sexual Shirley signifies story storytelling symbolic sympathy tells tion Tulliver University Press Victorian Villette woman word writing