Monsters of Affection: Dickens, Eliot, & Bronte on Fatherhood |
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Page 12
... identities . Origin initiates identity and accounts for char- acter as a logical unfolding in time . Dickens clearly subscribes to this genealogical belief : Oliver is indeed his father's son , although he does not know it until the end ...
... identities . Origin initiates identity and accounts for char- acter as a logical unfolding in time . Dickens clearly subscribes to this genealogical belief : Oliver is indeed his father's son , although he does not know it until the end ...
Page 14
... identity . In addition , the " begetting " of narrative event finds its origin in rape and murder , not in the begetting of a character who will figure in narrative and whose identity will appear in the unfolding of narrative to be ...
... identity . In addition , the " begetting " of narrative event finds its origin in rape and murder , not in the begetting of a character who will figure in narrative and whose identity will appear in the unfolding of narrative to be ...
Page 17
... identity sus- pended ; narrative origin remains absent , implied by but untold in its own story . The double narrative of Bleak House tracks the father's sin , his identity as Nemo or " no one , " but Esther , the novel's heroine ...
... identity sus- pended ; narrative origin remains absent , implied by but untold in its own story . The double narrative of Bleak House tracks the father's sin , his identity as Nemo or " no one , " but Esther , the novel's heroine ...
Contents
Authors of Being | 10 |
A Sort of Father | 65 |
Masters and Mastery | 119 |
Copyright | |
3 other sections not shown
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Adam Bede appears authority autobiography Barnaby Rudge becomes bind Bronte's narratives brother Caroline Casaubon castration Charles Dickens Charlotte Bronte child Clennam creates Crimsworth Daniel Deronda David Copperfield death debt defines Deronda desire Dickens's narratives Dombey Dorothea Dorrit double engender Esther family romance fantasy father and daughter fatherhood Felix Holt female fictional father figurative father Florence Freud gaze genealogy George Eliot ghost Gwendolen heroine identifies imagines incest interprets Jane Eyre Jane's Jean Laplanche Lacan language Laplanche Letters linguistic Little Dorrit Lucy Snowe Lucy's Magwitch male marriage marries masculine master memory metaphor Middlemarch mother murdered father narrative project narrative structure narrator nineteenth-century novel oedipal Oedipus complex origin parricide paternal patriarchal phallus Pip's Polly primal scene Psychoanalysis punishment reader refuses relationship represents resembles retroactively Rochester Romola Rudge scene of seduction sexual Shirley signifies story storytelling symbolic sympathy tells tion Tulliver University Press Victorian Villette woman word writing