Thoughts and After-thoughtsCassell, 1913 - 315 pages |
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Page 43
... productions the same care , the same reverence for accuracy , the same regard for stage illusion , for mounting ... produce our national poet's works with- out the crowds and armies , without the pride , pomp , and circumstance which are ...
... productions the same care , the same reverence for accuracy , the same regard for stage illusion , for mounting ... produce our national poet's works with- out the crowds and armies , without the pride , pomp , and circumstance which are ...
Page 44
... production in which the modern spirit of stage - management asserted itself , transporting us as it did into the atmosphere of Venice , into the rarefied realms of Shakespearian comedy . Since then , no doubt , millions have flocked to ...
... production in which the modern spirit of stage - management asserted itself , transporting us as it did into the atmosphere of Venice , into the rarefied realms of Shakespearian comedy . Since then , no doubt , millions have flocked to ...
Page 45
... productions for which I myself have been responsible - if , indeed , it be permissible to call oneself as a witness to prove one's own case . For the moment modesty must give way to the exigencies of the situation— as 45 The Living ...
... productions for which I myself have been responsible - if , indeed , it be permissible to call oneself as a witness to prove one's own case . For the moment modesty must give way to the exigencies of the situation— as 45 The Living ...
Page 46
... productions have been given— Julius Cæsar , King John , and A Midsummer Night's Dream ; and much , no doubt , as it will shock some people , I am not ashamed to say that for these productions I have tried to borrow from the arts and the ...
... productions have been given— Julius Cæsar , King John , and A Midsummer Night's Dream ; and much , no doubt , as it will shock some people , I am not ashamed to say that for these productions I have tried to borrow from the arts and the ...
Page 47
... produce those plays of Shakespeare which lend themselves to " ostentatious spectacle . " If that be so , then the manager is clearly at fault - but I am still unacquainted with him . We are assured on the authority of this same writer ...
... produce those plays of Shakespeare which lend themselves to " ostentatious spectacle . " If that be so , then the manager is clearly at fault - but I am still unacquainted with him . We are assured on the authority of this same writer ...
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Common terms and phrases
acting actor AFTER-THOUGHT Anne Boleyn Annual Shakespeare Festival appear artist audience beautiful become called Cardinal character conscience Court dance DAUGHTER death divorce dramatic dramatist endeavour England English F. R. Benson fact faculty Falstaff father genius give Greentails Hamlet hand heart Henry VIII Henry's HERBERT BEERBOHM TREE Hjalmar honour Horatio humanity illusion imagination Julius Cæsar Katharine of Aragon King Henry King's literary live look Lord Macbeth madness Majesty's Theatre Maleine manager mankind marriage means ment Merchant of Venice Merry Wives microbes Midsummer Night's Dream mind modern nature never noble Ophelia Othello passion personality poet poet's Polonius Pope present Prince production public taste Queen Katharine realised Rome scene seems Shake Shakespeare Shakespeare's plays Shakespearian Shylock soul speare spirit stage strange theatre things thought tion to-day Twelfth Night vulgar Wives of Windsor Wolsey Wolsey's words writer wrote
Popular passages
Page 134 - To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
Page 250 - This cardinal, Though from an humble stock, undoubtedly Was fashion'd to much honour. From his cradle He was a scholar, and a ripe and good one ; Exceeding wise, fair spoken, and persuading : Lofty and sour to them that loved him not ; But, to those men that sought him, sweet as summer...
Page 259 - And, when I am forgotten, as I shall be, And sleep in dull cold marble, where no mention Of me more must be heard of, say, I taught thee; Say, Wolsey, that once trod the ways of glory, And sounded all the depths and shoals of honour...
Page 138 - Ay, truly ; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness : this was sometime a paradox, but now the time gives it proof.
Page 70 - So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work.
Page 115 - Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me a considerable and music very great delight.
Page 255 - Well, well, Master Kingston," quoth he, "I see the matter against me how it is framed; but if I had served God as diligently as I have done the king, he would not have given me over in my grey hairs.
Page 33 - Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.
Page 145 - How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
Page 142 - Give me that man That is not passion's slave, and I will wear him In my heart's core — aye, in my heart of heart, As I do thee.