Biographia Literaria, Volume 2Clarendon Press, 1907 - Aesthetics |
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Page 18
... former ; yet without which the former could scarce exist in a 18 CH . XV Biographia Literaria.
... former ; yet without which the former could scarce exist in a 18 CH . XV Biographia Literaria.
Page 19
... former poem , in the same vivid colors , inspirited by the same impetuous vigor 25 of thought , and diverging and contracting with the same activity of the assimilative and of the modifying faculties ; and with a yet larger display , a ...
... former poem , in the same vivid colors , inspirited by the same impetuous vigor 25 of thought , and diverging and contracting with the same activity of the assimilative and of the modifying faculties ; and with a yet larger display , a ...
Page 20
... former darts himself forth , and passes 5 into all the forms of human character and passion , the one Proteus of the fire and the flood ; the other attracts all forms and things to himself , into the unity of his own IDEAL . All things ...
... former darts himself forth , and passes 5 into all the forms of human character and passion , the one Proteus of the fire and the flood ; the other attracts all forms and things to himself , into the unity of his own IDEAL . All things ...
Page 21
... former . In the present age the poet ( I would wish to be understood as speaking generally , and without allusion to individual names ) seems to propose to himself as his main object , and as that which is the most characteristic of his ...
... former . In the present age the poet ( I would wish to be understood as speaking generally , and without allusion to individual names ) seems to propose to himself as his main object , and as that which is the most characteristic of his ...
Page 38
... former citation ; and which I can neither admit as particular fact , or as general rule . " The language too of these men is adopted ( purified indeed from what appear to be its real defects , from all lasting and rational causes of ...
... former citation ; and which I can neither admit as particular fact , or as general rule . " The language too of these men is adopted ( purified indeed from what appear to be its real defects , from all lasting and rational causes of ...
Other editions - View all
Biographia Literaria: Or, Biographical Sketches of My Literary Life and ... Samuel Taylor Coleridge No preview available - 2013 |
Biographia Literaria Wordsworth Collection,Samuel Taylor 1772-1834 Coleridge, Ass No preview available - 2016 |
Common terms and phrases
admiration agreeable Apollo Belvedere appear beauty Bertram Biog Brougham Castle character Coleridge Coleridge's common composed composition critic Dane definition delight diction distinction dramatic Edinburgh Review edition effect Elbe English Ennead equally Essay excellence excitement expression faculties fancy feeling former German Greek Hamburg heart human images imagination imitation instance intellectual interest judgement Kant Klopstock Kotzebue lady language Lectures less Letters lines Lyrical Ballads means ment metre Milton mind moral nature object opinion original passage passion perhaps person philosopher pleasure Plotinus poem poet poet's poetry Preface present principle prose published 1807 Ratzeburg reader reason recollect Review rhyme rustic Samuel Daniel Sara Coleridge scene seems sense Shakespeare sonnet soul speaking specimens spirit stanza style sweet taste thing thou thought tion translation truth unity Venus and Adonis verse whole words Wordsworth writings καὶ
Popular passages
Page 6 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
Page 12 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Page 43 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Page 74 - LORD, with what care hast thou begirt us round ! Parents first season us : then schoolmasters Deliver us to laws ; they send us bound To rules of reason, holy messengers, Pulpits and Sundays, sorrow dogging sin, Afflictions sorted, anguish of all sizes. Fine nets and stratagems to catch us in, Bibles laid open, millions of surprises, Blessings beforehand, ties of gratefulness, The sound of glory ringing in our ears ; Without, our shame ; within, our consciences ; Angels and grace, eternal hopes and...
Page 35 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Page 51 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
Page 6 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Page 31 - ... the passions of men are incorporated with the beautiful and permanent forms of nature.
Page 48 - And in my breast the imperfect joys expire; Yet Morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that cannot hear And weep the more because I weep in vain.
Page 10 - A poem is that species of composition, which is opposed to works of science, by proposing for its immediate object pleasure, not truth ; and from all other species (having this object in common with it) it is discriminated by proposing to itself such delight from the whole, as is compatible with a distinct gratification from each component part.