Shakespeare's Dramatic Art: History and Character of Shakespeare's Plays, Volume 1G. Bell and sons, 1876 - English drama |
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Page 39
... existence with extravagance , recklessness and a licentious life . Mag- nyficence is a prince of high birth and great wealth , who , however , by a confusion of ideas , is led astray by Fancy , Counterfeit Countenance , Crafty ...
... existence with extravagance , recklessness and a licentious life . Mag- nyficence is a prince of high birth and great wealth , who , however , by a confusion of ideas , is led astray by Fancy , Counterfeit Countenance , Crafty ...
Page 61
... existence much about the same time as the Moral Plays . The diction in the latter is flowing and animated , it is only in some passages that it is very corrupt ; the dialogue in the scenes from common life are excellent ; in the ...
... existence much about the same time as the Moral Plays . The diction in the latter is flowing and animated , it is only in some passages that it is very corrupt ; the dialogue in the scenes from common life are excellent ; in the ...
Page 72
... existence merely to the predilection of the people for comedy . In this respect the course of the development of the English as , in fact , of the whole modern drama , shows a remarkable difference from that of the history of the Greek ...
... existence merely to the predilection of the people for comedy . In this respect the course of the development of the English as , in fact , of the whole modern drama , shows a remarkable difference from that of the history of the Greek ...
Page 103
... existence of things - to which the more modern art had to learn to direct its attention . the strict observance of these laws lies the beauty of genuine artistic form , the perfection of the dramatic composition , such as is invariably ...
... existence of things - to which the more modern art had to learn to direct its attention . the strict observance of these laws lies the beauty of genuine artistic form , the perfection of the dramatic composition , such as is invariably ...
Page 145
... existence , gives a wrong oracle out of spite - one of those strange and unaccounted - for incidents , with which Greene delights to embellish his plays ) , nor by the con- clusion , the marriage of Alphonsus with the lovely Iphigenia ...
... existence , gives a wrong oracle out of spite - one of those strange and unaccounted - for incidents , with which Greene delights to embellish his plays ) , nor by the con- clusion , the marriage of Alphonsus with the lovely Iphigenia ...
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Common terms and phrases
according accordingly action already ancient appear beauty Ben Jonson blank verse character characterisation Collier colouring comedy comic composition death diction doubt dramatic art Dyce edition element endeavoured English drama Engravings especially exhibited expression external fact feeling give Gorboduc Greene's Hamlet hand hence Henry Henry VI hero Heywood honour human idea ideal intention Jonson Juliet King King Lear language lastly latter Lear London lyrical Macbeth manner Marlowe Marlowe's marriage merely mind moral Moral Plays motives nature noble Othello passion peculiar persons piece play poems poet poetical poetry popular Portrait possess printed probably proved Queen racter reality regards relation representation represented Romeo Romeo and Juliet scenes Sejanus Shak Shakspeare Shakspeare's Sonnets soul Spanish Tragedy spirit stage Stratford style Tamburlaine tendency theatre thought tion Titus Andronicus tragedy tragic pathos Translated true unity verse vols whole words written
Popular passages
Page 214 - O for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 238 - TWO loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour'd ill. To win me soon to hell, my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Page 193 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Page 417 - No more of that : — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice : then must you speak Of one, that lov'd not wisely, but too well...
Page 474 - What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous ; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls ? Say, why is this ? wherefore ? what should we do ? Ghost beckons HAMLET.
Page 215 - Tired with all these, for restful death I cry: As, to behold desert a beggar born. And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled, And art made tongue-tied by authority, And folly doctor-like controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill.
Page 226 - Why is my verse so barren of new pride ? So far from variation or quick change ? Why, with the time, do I not glance aside To new-found methods and to compounds strange ? Why write I still all one, ever the same, And keep invention in a noted weed...
Page 472 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Page 227 - tis true, I have gone here and there And made myself a motley to the view, Gor'd mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Page 232 - If music and sweet poetry agree, As they must needs, the sister and the brother, Then must the love be great 'twixt thee and me, Because thou lov'st the one, and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense ; Spenser to me, whose deep conceit is such, As, passing all conceit, needs no defence. 110 Thou lov'st to hear the sweet melodious sound That Phoebus...