The British Plutarch: Containing the Lives of the Most Eminent Divines, Patriots, Statemen, Warriors, Philosophers, Poets, and Artists of Great Britain and Ireland, from the Accention of Henry VIII, to the Present Time, Volume 2J. Mawman, 1816 - Great Britain |
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Page 11
... English embassador in France . On his arrival in Paris , Charles IX . is said to have been so much struck with his ingenuous manners and conversation , that he appointed him Gentleman Ordinary of his chamber . This promotion , however ...
... English embassador in France . On his arrival in Paris , Charles IX . is said to have been so much struck with his ingenuous manners and conversation , that he appointed him Gentleman Ordinary of his chamber . This promotion , however ...
Page 12
... English embassador : and after the storm had sub- sided , though strongly urged by Leicester to return home , proceeded onward on his travels : passing through Lorrain by Strasburg and Heidelberg to Frankfort , where he lodged in the ...
... English embassador : and after the storm had sub- sided , though strongly urged by Leicester to return home , proceeded onward on his travels : passing through Lorrain by Strasburg and Heidelberg to Frankfort , where he lodged in the ...
Page 14
... English connexions to apprehend , that his faith might be in danger . But for this suspicion there was no substantial ground . Languet , indeed , beside his perpetual disquisitions on the superiority of the Protestant creed , had ...
... English connexions to apprehend , that his faith might be in danger . But for this suspicion there was no substantial ground . Languet , indeed , beside his perpetual disquisitions on the superiority of the Protestant creed , had ...
Page 15
... English court , to which ( says Fuller ) " he was so essential , that it seemed maimed without his company , being a complete master of matter and language . " The queen treated him with peculiar kindness , calling him her Philip , ' in ...
... English court , to which ( says Fuller ) " he was so essential , that it seemed maimed without his company , being a complete master of matter and language . " The queen treated him with peculiar kindness , calling him her Philip , ' in ...
Page 21
... English by Underdowne , or the Arcadia ' of Sanna- zaro , must remain undecided . This simple and inno- cent story , which was originally written on loose sheets of paper , the greatest part of it in the company of his sister , and the ...
... English by Underdowne , or the Arcadia ' of Sanna- zaro , must remain undecided . This simple and inno- cent story , which was originally written on loose sheets of paper , the greatest part of it in the company of his sister , and the ...
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Common terms and phrases
Admiral afterward appears appointed Archbishop Bacon Ben Jonson Bishop Buckingham Camden cause Cecil character Coke Comedy command Council court crown death doth Drake Duke Duke of Anjou Earl of Essex Earl of Leicester embassador enemies England English father favour favourite fleet fortune France gave hand hath Hawkins heart Henry honour Ireland James Jonson judgement justice King King's lady learning letter likewise live Lord Burghley Lord High Admiral Lordships Majesty Majesty's matter ment mind nature never noble observes occasion parliament person Philip poet prince Queen of Scots received reign reputation royal says Scythians sent Shakspeare ships Sidney Sir Edward Coke Sir Francis Sir John Sir Philip Sidney Sir Robert Cecil Sir Walter Ralegh Sovereign Spain Spaniards Spanish Spenser spirit thee thing thou thought tion took unto virtue writings
Popular passages
Page 398 - Thy gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies, Soon break, soon wither, soon forgotten,— In folly ripe, in reason rotten. Thy belt of straw and ivy buds, Thy coral clasps and amber studs,— All these in me no means can move To come to thee and be thy love.
Page 397 - And I will make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroidered all with leaves of myrtle.
Page 484 - But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages...
Page 311 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight, that he was content to purchase it, by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.
Page 305 - His characters are not modified by the customs of particular places, unpractised by the rest of the world ; by the peculiarities of studies or professions, which can operate but upon small numbers ; or by the accidents of transient fashions or temporary opinions...
Page 400 - Their purpose is ambition, Their practice, only hate ; And if they once reply, Then give them all the lie. Tell them that brave it most, They beg for more by spending Who in their greatest cost Seek nothing but commending ; And if they make reply, Spare not to give the lie.
Page 309 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and, in view of his reward, he shortened the labour to snatch the profit. He therefore remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Page 99 - We have been persuaded by some, that are careful of our safety, to take heed how we commit ourselves to armed multitudes for fear of treachery ; but, I assure you, I do not desire to live to distrust my faithful and loving people.
Page 316 - Imitations produce pain or pleasure, not because they are mistaken for realities, but because they bring realities to mind.
Page 314 - The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Anthony and Cleopatra. Surely he that imagines this may imagine more.