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and Griffith Gaunt he thought a production of very high merit. He was "hospitable to the thought" of all writers who were really in earnest, but at the first exhibition of floundering or inexactness he became an unbeliever. People with dislocated understandings he had no tolerance for.

by Sydney Smith, and Carlyle's French Revo- | ries he always spoke with warm commendation, lution. Of this latter Dickens said it was the book of all others which he read perpetually, and of which he never tired; the book which always appeared more imaginative in proportion to the fresh imagination he brought to it; a book for inexhaustibleness to be placed before every other book. When writing the Tale of Two Cities, he asked Carlyle if he might see one of the books to which he referred in his history; whereupon Carlyle packed up and sent down to Gad's Hill all his reference volumes, and Dickens read them faithfully. But the more he read the more he was astonished to find how the facts had passed through the alembic of Carlyle's brain and had come out and fitted themselves, each as a part of one great whole, making a compact result, indestructible and unrivalled; and he always found himself turning away from the books of reference, and reading with increased wonder this marvellous new growth. There were certain books particularly hateful to him, and of which he never spoke except in terms of most ludicrous raillery. Mr. Barlow, in Sandford and Merton, he said, was the favourite enemy of his boyhood, and his first experience of a bore. He had an almost supernatural hatred for Barlow, "because he was so very instructive, and always hinting doubts with regard to the veracity of Sinbad the Sailor, and had no belief whatever in The Wonderful Lamp or The Enchanted Horse." Dickens, rattling his mental cane over the head of Mr. Barlow, was as much better than any play as can be well imagined. He gloried in many of Hood's poems, especially in that biting Ode to Rae Wilson, and he would gesticulate with a fine fervour the lines

"... the hypocrites who ope Heaven's door
Obsequious to the sinful man of riches-
But put the wicked, naked, bare legged poor
In parish stocks instead of breeches,"

One of his favourite books was Pepys' Diary,
the curious discovery of the key to which, and
the odd characteristics of its writer, were a
never-failing source of interest and amusement
to him. The vision of Pepys hanging round
the door of the theatre, hoping for an invitation
to go in, not being able to keep away, in spite
of a promise he had made to himself that he
would spend no more money foolishly, delighted
him. Speaking one day of Gray, the author
of the Elegy, he said: "No poet ever came walk-
ing down to posterity with so small a book
under his arm." He preferred Smollett to
Fielding, putting Peregrine Pickle above Tom
Jones. Of the best novels by his contempora-

He was passionately fond of the theatre, loved the lights and music and flowers, and the happy faces of the audience. He was accustomed to say that his love of the theatre never failed, and, no matter how dull the play, he was always careful while he sat in the box to make no sound which could hurt the feelings of the actors, or show any lack of attention. His genuine enthusiasm for Mr. Fechter's acting was most interesting. He loved to describe seeing him first, quite by accident, in Paris, having strolled into a little theatre there one night. He was making love to a woman," Dickens said, "and he so elevated her as well as himself by the sentiment in which he enveloped her, that they trod in a purer ether, and in another sphere, quite lifted out of the present. By heavens!' I said to myself, 'a man who can do this can do anything. never saw two people more purely and instantly elevated by the power of love. The manner, also," he continued, "in which he presses the hem of the dress of Lucy, in the Bride of Lammermoor, is something wonderful. The man has genius in him which is unmistakable."

I

Life behind the scenes was always a fascinating study to Dickens. "One of the oddest sights a green-room can present," he said one day, "is when they are collecting children for a pantomime. For this purpose the prompter calls together all the women in the ballet, and begins giving out their names in order, while they press about him eager for the chance of increasing their poor pay by the extra pittance their children will receive. Mrs. Johnson, how many?' 'Two, sir.' 'What ages?' 'Seven and ten.' 'Mrs. B., how many?' and so on, until the required number is made up. The people who go upon the stage, however poor their pay or hard their lot, love it too well ever to adopt another vocation of their free-will. A mother will frequently be in the wardrobe, children in the pantomime, elder sisters in the ballet, &c."

Dickens' habits as a speaker differed from those of most orators. He gave no thought to the composition of the speech he was to make till the day before he was to deliver it. No matter whether the effort was to be a long or a short one, he never wrote down a word of what

he was going to say; but when the proper time | arrived for him to consider his subject, he took a walk into the country, and the thing was done. When he returned he was all ready for his task.

He liked to talk about the audiences that came to hear him read, and he gave the palm to his Parisian one, saying it was the quickest to catch his meaning. Although, he said, there were many always present in his room in Paris who did not fully understand English, yet the French eye is so quick to detect expression that it never failed instantly to understand what he meant by a look or an act. "Thus for instance," he said, "when I was impersonating Steerforth in David Copperfield, and gave that peculiar grip of the hand to Emily's lover, the French audience burst into cheers and rounds of applause." He said, with reference to the preparation of his readings, that it was three months' hard labour to get up one of his own stories for public recitation, and he thought he had greatly improved his presentation of the Christmas Carol while in America. He considered the storm scene in David Copperfield one of the most effective of his readings. The character of Jack Hopkins in Bob Sawyer's Party he took great delight in representing.

It gave him a natural pleasure when he heard quotations from his own books introduced without effort into conversation. He did not always remember, when his own words were quoted, that he was himself the author of them, and appeared astounded at the memory of others in this regard. He said Mr. Secretary Stanton had a most extraordinary knowledge of his books, and a power of taking the text up at any point, which he supposed to belong to only one person, and that person not himself.

It was said of Garrick that he was the cheerfullest man of his age. This can be as truly said of Charles Dickens. In his presence there was perpetual sunshine, and gloom was banished as having no sort of relationship with him. No man suffered more keenly or sympathized more fully than he did with want and misery; but his motto was, "Don't stand and cry; press forward, and help remove the difficulty."

After his return home from America he was constantly boasting in his letters of his renewed health. In one of them he says: "I am brown now beyond belief, and cause the greatest disappointment in all quarters by looking so well. It is really wonderful what those fine days at sea did me. My doctor was quite broken down in spirits when he saw me for the first

time since my return last Saturday. "Good heavens!" he said, recoiling, "seven years younger!"

Bright colours were a constant delight to him; and the gay hues of flowers were those most welcome to his eye. When the rhododendrons were in bloom in Cobham Park, the seat of his friend and neighbour, Lord Darnley, he always counted on taking his guests there to enjoy the magnificent show. In a letter dated in April, 1869, he says to a friend who anticipated making him a visit from America: "Please look sharp in the matter of landing on this used-up, worn-out, and rotten old parient. I rather think that when the 12th of June shall have shaken off these shackles" (he was then reading in London) "there will be borage on the lawn at Gad's. Your heart's desires in that matter, and in the minor particulars of Cobham Park, Rochester Castle, and Canterbury shall be fulfilled, please God. The red jackets shall turn out again on the turnpike road, and picnics among the cherry orchards and hop-gardens shall be heard of in Kent." (He delighted to turn out for the delectation of his Transatlantic cousins a couple of postilions in the old red jackets of the old red royal Dover road, making the ride as much as possible like a holiday drive in England fifty years ago).

When in the mood for humorous characterization, Dickens' hilarity was most amazing. To hear him tell a ghost story with a very florid imitation of a very pallid ghost, or hear him sing an old-time stage song, such as he used to enjoy in his youth at a cheap London theatre, to see him imitate a lion in a menagerie-cage, or the clown in a pantomime when he flops and folds himself up like a jack-knife, or to join with him in some mirthful game of his own composing, was to become acquainted with one of the most delightful and original companions in the world.

On one occasion, during a walk, he chose to run into the wildest of vagaries about conversation. The ludicrous vein he indulged in during that two hours' stretch can never be forgotten. Among other things, he said he had often thought how restricted one's conversation must become when one was visiting a man who was to be hanged in half an hour. He went on in a most surprising manner to imagine all sorts of difficulties in the way of becoming interesting to the poor fellow. "Suppose," said he, "it should be a rainy morning while you are making the call, you could not possibly indulge in the remark, We shall have fine weather to-morrow, sir,' for

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what would that be to him? For my part, I think," said he, "I should confine my observations to the days of Julius Cæsar or King Alfred."

At another time, when speaking of what was constantly said about him in certain newspapers, he observed: "I notice that about once in every seven years I become the victim of a paragraph disease. It breaks out in England, travels to India by the overland route, gets to America per Cunard line, strikes the base of the Rocky Mountains, and rebounding back to Europe, mostly perishes on the steppes of Russia from inanition and extreme cold." When he felt he was not under observation, and that tomfoolery would not be frowned upon or gazed at with astonishment, he gave himself up without reserve to healthy amusement and strengthening mirth. It was his mission to make people happy.

His life will no doubt be written out in full by some competent hand; but however numerous the volumes of his biography, the half can hardly be told of the good deeds he has accomplished for his fellow-men.

And who could ever tell, if those volumes were written, of the subtle qualities of insight and sympathy which rendered him capable of friendship above most men-which enabled him to reinstate his ideal, and made his presence a perpetual joy, and separation from him an ineffaceable sorrow?

SONG.

Whither, ah! whither is my lost love straying-
Upon what pleasant land beyond the sea?
Oh! ye winds, now playing

Like airy spirits round my temples free,
Fly and tell him this from me:

Tell him, sweet winds, that in my woman's bosom
My young love still retains its perfect power,
Or, like the summer blossom,

That changes still from bud to the full-blown flower,
Grows with every passing hour.

Say (and say gently) that, since we two parted,
How little joy-much sorrow-I have known;
Only not broken-hearted,

Because I muse upon bright moments gone,
And dream and think of him alone.

BARRY CORNWALL.

THREE SONNETS.

I.

TO AILSA ROCK.

Hearken, thou craggy ocean pyramid!

Give answer from thy voice, the sea-fowl's screams!
When were thy shoulders mantled in huge streams?
When from the sun was thy broad forehead hid?
How long is't since the mighty Power bid
Thee heave to airy sleep from fathom dreams-
Sleep in the lap of thunder or sunbeams,
Or when gray clouds are thy cold coverlid?—
Thou answerest not, for thou art dead asleep;
Thy life is but two dead eternities--

The last in air, the former in the deep;

First with the whales, last with the eagle skiesDrown'd wast thou till an earthquake made thee steep; Another cannot wake thy giant size.

II.

GLENCOE.

JOHN KEATS.

Keep silence, lest the rocks in thunder fall;
Keep silence, lest ye wake the hapless dead,
Whose blood is crying from the ground to call
The doom of justice on the murderer's head!
Dark and more dark, ye shades of evening, lower;
Wide and more wide, ye gathering tempests, spread
Thick clouds and waters round the Avenging Power
Whose malison is here! The river moans;
The wind, with deepening sigh from hour to hour,
Saddens the gloom; a curse is on the land;
From every cavern'd cliff sepulchral groans
Appal the desolation; and around,
The melancholy mountains loathe the sun,
And shall, till the career of Time be done.

III.

BEN NEVIS.

We climb, we pant, we pause; again we climb:
Frown not, stern mountain, nor around thee throw
Thy mist and storm, but look with cloudless brow
O'er all thy giant progeny sublime;

While toiling up the immeasurable height
We climb, we pant, we pause: the thickening gloom
Hath pall'd us in the darkness of the tomb:
And on the hard won summit sound nor sight
Salutes us, save the snow and chilling blast,
And all the guardian fiends of Winter's throne.
Such too is life- ten thousand perils past,
Our fame is vapour, and our mirth a groan.
But patience; till the veil be rent away,
And on our vision flash celestial day.

THE LUDDITES.1

The Luddite rioters of Nottinghamshire and Yorkshire derived their name from General Lud, their mythical leader, that awe-striking name and title being, however, borne by several of their chiefs at different times and in different districts. The deplorable outrages committed by these men-t —the breaking into houses to seize fire-arms and obtain money for the purposes of their mischievous and dangerous association-lasted for nearly forty years, during which time, with the exception of a few lulls, the great manufacturing districts were in as disturbed and lawless a state as the Border country when such marauders as Hardriding Dick or William of Deloraine drove honest men's cattle, burned keep-towers, and harried farm-houses.

The

All social diseases have their climax. night, they say, is darkest just before daybreak. To miseries and misfortunes there is a culminating period. It was in 1812 that the Luddites were fiercest, maddest, and most desperate, deriding all philosophy and forgetting all the tenets of political economy in the fierceness of their indignation. Their object was to destroy the new frames which about the end of the last century were introduced ("with power") to finish woollen goods. Up to this time cloth had been finished by a tedious and costly process, a man being required to each machine, and three times the expense being incurred. The machine was a ponderous, unsightly instrument, square at the extremity of the blade, but otherwise not unlike the shears used by sheep-shearers. One blade was passed under the balk cloth to be finished, and the other over it, the latter cropping off the nap of the wool as the blades were dexterously pushed backwards and forwards by the workmen. The men engaged in this primitive occupation were known by the name of croppers. The process was as much behind the age as the Hottentot system of spinning is behind the latest processes of Manchester. The croppers, whose occupation was thus interfered with, became as violent as the silversmiths of Ephesus, and were the chief leaders in the Luddite riots. They were generally of the stubborn, resolute Yorkshire race; ignorant, violent, determined, holding together for good or ill, and resolved to destroy the new frames, which they believed would throw poor men out of work and starve their families.

No Ribbonmen ever banded together with more sullen determination in their movements; their drilling and their attacks were conducted with military precision. Mere agricultural labourers might have shown as much courage, but could not have formed such subtle combinations. Every man had his allotted place by number (as in a regiment) in the musket, pistol, or hatchet companies. The form of initiation was known by the technical name of "twisting in." The oath taken was as solemn and terrible as that used in the secret tribunals of the middle ages. It was as follows: "I,

of my own voluntary will, do declare and solemnly swear that I never will reveal to any person or persons under the canopy of heaven the names of the persons who compose this secret committee, their proceedings, meetings, places of abode, dress, features, connections, or anything else that might lead to a discovery of the same either by word, or deed, or sign, under the penalty of being sent out of the world by the first brother who shall meet me, and my name and character blotted out of existence, and never to be remembered but with contempt and abhorrence; and I further now do swear, that I will use my best endeavours to punish by death any traitor or traitors, should any rise up amongst us, whereever I can find him or them; and though he should fly to the verge of nature, I will pursue him with unceasing vengeance. So help me God, and bless me to keep this my oath inviolable."

At the time of the crisis of disorder in 1812, when the Luddite conspiracy was netting over the greater part of two counties, Enoch and James Taylor constructed the obnoxious frames in their smithy, which stood on what is now the playground of the town-school at Marsden. These enterprising men had begun life as common blacksmiths, but by industry, perseverance, and inventive genius, had become known as skilful machine-makers. The giant hammer used in the Yorkshire smithies was in 1812 playfully known among the grimy artisans who wielded it as "ENOCH;" and when the Luddites made one of their midnight marches to destroy a finishing-frame, the cant saying was-alluding to the firm at Marsden and the hammer that was to crush their work

"Enoch made them, and Enoch shall break them."

Suffering, and believing that they would suffer more, these impetuous men totally forgot that all improvements in a trade tend to

1 From Old Stories Re-Told, by Walter Thornbury, enlarge that trade; that all lessenings of cost

author of Haunted London, &c. Chapman & Hall.

in the production of a fabric tend to increase

the sale of that fabric; and that, if the finish- | food-riots at Sheffield, Mansfield, and Macclesing-machines reduced the number of croppers, field. Food-riots are as certain a proof of the manufacture of them undoubtedly led to something wrong in the body politic, as certain the employment of more hammermen. To pustules are proofs of small-pox. The stockingthese truths they were indifferent; all they weavers in Nottinghamshire began the bad knew was, that the new frames lessened the work by holding nocturnal meetings, by formimmediate work for the croppers, and they ing secret societies, by appointing delegates were determined not merely to destroy those and local "centres," by extracting black-mail frames already in use, but to terrify employers from manufacturers, and requiring implicit from further adopting them. obedience in their adherents, after administering an oath. From shattering frames, the Yorkshire men began to talk of upsetting the government. Religion was even pressed into the rioters' service, and a crusading spirit inculcated on those who joined the Luddites. The disorders came to a head in 1812, partly from the lenity shown to Luddite prisoners at the Nottingham assizes in March, and more especially by the dreadful price which provisions had then reached. The poor hardly ever tasted nourishing, flesh-making wheaten bread; tea and coffee were almost unknown; clothing was extravagantly dear; and the workman had to gain strength for the twelve hours' toil in the bad atmosphere of a mill from a paltry meal of porridge. All this was hard to bear even with freedom; but it was intolerable in a country where the intellect and conscience of the nation were enslaved, and where the poor had no other privilege than that of paying an undue share of the taxes levied on them by an enormously wealthy and tolerably selfish landed interest.

Yet the croppers themselves, as long as they could get work, were well-to-do men, their wages being twenty-four shillings a week. The Marsden people were, indeed, seldom in distress, for the great cotton trade was already developing, and warp and weft ready for the hand-loom were brought from Lancashire fortnightly and put out to Marsden weavers. But let us be just; the times were hard everywhere, and a shilling did not bring then what it had brought before, and what it brings now. Men worked week in and week out, and only just, after all, kept the wolf from the door. Oh! there was a sharp biting suffering before thoughtful working men could combine in that thirty years' conspiracy that brought many brave lads to the gallows, and sent so many to pine away the rest of their miserable and wasted lives in the dismal restrictions of New South Wales. Time is full of common sense; it brings men to the truth; yet for nearly a whole generation it never stopped these disturbances, erroneous as they were. The man who thinks that these troubles indicated no foregone misery and wrong, would call a dying man's groans and screams mere practical jokes,

The riots soon overran the West Riding, beginning at Marsden. After trying their destructive powers on a small scale there, the frames at Woodbottom and Ottiwells were The Yorkshire nature is stanch and dogged; marked out for destruction, and the lives of it was not going to bear starvation quietly, their owners, the Armitages and the Horsfalls, while proud, arrogant, and often cruel manu- were threatened. These gentlemen took prompt facturers were fattening on the very flesh and and energetic measures for the protection of blood of the workman and his pining children. their property. A bridge over the river at the The poor man had borne the contemptuous Woodbottom Mill had an iron gate placed denial of his rights, the incessant suspension across the centre which could be securely of the laws of the land, trade monopolies, fastened against all invaders. It had iron tyrannical, stupid, and heartless governments, spikes at the top, and a row of iron spikes civil and religious disabilities, and unjust and down each side. This bridge-with its gateuseless wars; but dear bread-that was the way and protecting spikes-remained in its last straw that broke the camel's back. The original integrity until a very recent day. artisan saw only in the new machinery means "At Ottiwells," adds a local authority, "at to still further enrich his oppressors and starve the upper end of the road fronting the mill, ` himself. When the rich man can be weary of and on an elevation, level with the present life, is it to be wondered at that the poor man dam, a cannon was planted behind a wall finds life sometimes intolerable? The panacea pierced with openings three feet high and ten seemed to be combination. General Lud got inches wide. Through these apertures the recruits in Derbyshire, Lancashire, Cheshire, cannon could be pointed so as to command the Nottinghamshire, and especially in the south-entire frontage of the mill, and fired upon an western districts of Yorkshire. There were

approaching enemy. This somewhat primitive

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