our Piero or any other painter if he would not rather paint your portrait now than before. I think all lines of the human face have something either touching or grand, unless they seem to come from low passions. How fine old men are, like my godfather! Why should not old women look grand and simple ?"

"Yes, when one gets to be sixty, my Romola," said Brigida, relapsing a little; "but I'm only fifty-five, and Monna Berta, and everybody-but it's no use: I will be good, like you. Your mother, if she'd been alive, would have been as old as I am; we were cousins together. One must either die or get old. But it does n't matter about being old, if one's a Piagnone."

CHAPTER LII

A PROPHETESS

HE incidents of that Carnival day seemed to Romola

to carry no other personal consequences to her than the new care of supporting poor Cousin Brigida in her fluctuating resignation to age and grey hairs; but they introduced a Lenten time in which she was kept at a high pitch of mental excitement and active effort.

Bernardo del Nero had been elected Gonfaloniere. By great exertions the Medicean party had so far triumphed, and that triumph had deepened Romola's presentiment of some secretly-prepared scheme likely to ripen either into success or betrayal during these two months of her godfather's authority. Every morning the dim daybreak as it peered into her room seemed to be that haunting fear coming back to her. Every morning the fear went with her as she passed through the streets on her way to the early sermon in the Duomo: but there she gradually lost the sense of its chill presence, as men lose the dread of death in the clash of battle.

In the Duomo she felt herself sharing in a passionate conflict which had wider relations than any enclosed within the walls of Florence. For Savonarola was preaching preaching the last course of Lenten sermons he was ever allowed to finish in the Duomo: he knew that excommunication was imminent, and he

had reached the point of defying it. He held up the condition of the Church in the terrible mirror of his unflinching speech, which called things by their right names and dealt in no polite periphrases; he proclaimed with heightening confidence the advent of renovation — of a moment when there would be a general revolt against corruption. As to his own destiny, he seemed to have a double and alternating prevision: sometimes he saw himself taking a glorious part in that revolt, sending forth a voice that would be heard through all Christendom, and making the dead body of the Church tremble into new life, as the body of Lazarus trembled when the Divine voice pierced the sepulchre; sometimes he saw no prospect for himself but persecution and martyrdom:-this life for him was only a vigil, and only after death would come the dawn.

The position was one which must have had its impressiveness for all minds that were not of the dullest order, even if they were inclined, as Macchiavelli was, to interpret the Frate's character by a key that presupposed no loftiness. To Romola, whose kindred ardour gave her a firm belief in Savonarola's genuine greatness of purpose, the crisis was as stirring as if it had been part of her personal lot. It blent itself as an exalting memory with all her daily labours; and those labours were calling not only for difficult perseverance, but for new courage. Famine had never yet taken its flight from Florence, and all distress, by its long continuance, was getting harder to bear; disease was spreading in the crowded city, and the Plague was expected. As Romola walked, often in weariness, among the sick,

the hungry, and the murmuring, she felt it good to be inspired by something more than her pity-by the belief in a heroism struggling for sublime ends, towards which the daily action of her pity could only tend feebly as the dews that freshen the weedy ground to-day tend to prepare an unseen harvest in the years to come.

But that mighty music which stirred her in the Duomo was not without its jarring notes. Since those first days of glowing hope when the Frate, seeing the near triumph of good in the reform of the Republic and the coming of the French deliverer, had preached peace, charity, and oblivion of political differences, there had been a marked change of conditions: political intrigue had been too obstinate to allow of the desired oblivion; the belief in the French deliverer, who had turned his back on his high mission, seemed to have wrought harm; and hostility, both on a petty and on a grand scale, was attacking the Prophet with new weapons and new determination.

It followed that the spirit of contention and selfvindication pierced more and more conspicuously in his sermons; that he was urged to meet the popular demands not only by increased insistance and detail concerning visions and private revelations, but by a tone of defiant confidence against objectors; and from having denounced the desire for the miraculous, and declared that miracles had no relation to true faith, he had come to assert that at the right moment the Divine power would attest the truth of his prophetic preaching by a miracle. And continually, in the rapid transitions of excited feeling, as the vision of triumph

ant good receded behind the actual predominance of evil, the threats of coming vengeance against vicious tyrants and corrupt priests gathered some impetus from personal exasperation, as well as from indignant zeal.

In the career of a great public orator who yields himself to the inspiration of the moment, that conflict of selfish and unselfish emotion which in most men is hidden in the chamber of the soul, is brought into terrible evidence: the language of the inner voices is written out in letters of fire.

But if the tones of exasperation jarred on Romola, there was often another member of Fra Girolamo's audience to whom they were the only thrilling tones, like the vibration of deep bass notes to the deaf. Baldassarre had found out that the wonderful Frate was preaching again, and as often as he could he went to hear the Lenten sermon, that he might drink in the threats of a voice which seemed like a power on the side of justice. He went the more because he had seen that Romola went too; for he was waiting and watching for a time when not only outward circumstances, but his own varying mental state, would mark the right moment for seeking an interview with her. Twice Romola had caught sight of his face in the Duomo once when its dark glance was fixed on hers. She wished not to see it again, and yet she looked for it, as men look for the reappearance of a portent. But any revelation that might be yet to come about this old man was a subordinate fear now: it referred, she thought, only to the past, and her anxiety was almost absorbed by the present.