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Prolegomena theory and background I
Fiction history and truth
Memoirs and pseudomemoirs
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accept action already appeared approach aspect authenticity authors become behaviour belief century characters claim Cleveland concerning consider convention course Crébillon critics dans described detail Diderot discussion edition effect eighteenth eighteenth-century element emotional episodes expression fact feelings fiction follow French further genre Gil Blas give historical ideas important incidents instance interest kind later Lesage less letters literary Manon Marianne Marivaux matter memoirs merely method moral narrative narrator nature novel novelists Paris passages period person play plot portrait possible practice presentation Prévost provides published qu'il question reader reading realism reason respect roman Rousseau seems seen shows situation society stage standards story style suggest theory thought tion tout true truth usually various whole writers written