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Two of the domestics corroborated the opinion, for they had heard the clattering of a horse's hoofs down the mountain about midnight, and had no doubt that it was the spectre on his black charger, bearing her away to the tomb. All present were struck with the direful probability: for events of the kind are extremely common in Germany, as many wellauthenticated histories bear witness.

What a lamentable situation was that of the poor Baron! What a heart-rending dilemma for a fond father, and a member of the great family of Katzenellenbogen! His only daughter had either been rapt away to the grave, or he was to have some wood-demon for a son-in-law, and, perchance, a troop of goblin grandchildren. As usual, he was completely bewildered, and all the castle in an uproar. The men were ordered to take horse, and scour every road and path and glen of the Odenwald. The Baron himself had just drawn on his jack-boots, girded on his sword, and was about to mount his steed to sally forth on the doubtful quest, when he was brought to a pause by a new apparition. A lady was seen approaching the castle, mounted on a palfrey, attended by a cavalier on horseback. She galloped up to the gate, sprang from her horse, and. falling at the Baron's feet, embraced his knees. It was his lost daughter, and her companion the Spectre Bridegroom! The Baron was astounded. He looked at his daughter, then at the spectre, and almost doubted the evidence of his senses. The latter, too, was wonderfully improved in his appearance, since his visit to the world of spirits. His dress was splendid, and set off a noble figure of manly symmetry. He was no longer pale and melancholy. His fine countenance was flushed with the glow of youth, and joy rioted in his large dark eye.

The mystery was soon cleared up. The cavalier (for, in truth, as you must have known all the while, he was no goblin) announced himself as Sir Herman Von Starkenfaust. He related his adventure with the young Count. He told how he had hastened to the castle to deliver the unwelcome tidings, but that the eloquence of the Baron had interrupted

him in every attempt to tell his tale. How the sight of the bride had completely captivated him, and that to pass a few hours near her, he had tacitly suffered the mistake to continue. How he had been sorely perplexed in what way to make a decent retreat, until the Baron's goblin stories had suggested his eccentric exit. How, fearing the feudal hostility of the family, he had repeated his visits by stealth had haunted the garden beneath the young lady's window — had wooed had won had borne away in triumph-and, in a word, had wedded the fair.

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Under any other circumstances the Baron would have been inflexible, for he was tenacious of paternal authority, and devoutly obstinate in all family feuds; but he loved his daughter; he had lamented her as lost; he rejoiced to find her still alive; and though her husband was of a hostile house, yet, thank Heaven! he was not a goblin. There was something, it must be acknowledged, that did not exactly accord with his notions of strict veracity, in the joke the knight had passed upon him of his being a dead man; but several old friends present, who had served in the wars, assured him that every stratagem was excusable in love, and that the cavalier was entitled to especial privilege, having lately served as a trooper.

Matters, therefore, were happily arranged. The Baron pardoned the young couple on the spot. The revels at the castle were resumed. The poor relations overwhelmed this new member of the family with loving-kindness; he was so gallant, so generous and so rich. The aunts, it is true, were somewhat scandalized that their system of strict seclusion, and passive obedience, should be so badly exemplified, but attributed it all to their negligence in not having the windows grated. One of them was particularly mortified at having her marvellous story marred, and that the only spectre she had ever seen should turn out a counterfeit; but the niece seemed perfectly happy at having found him substantial flesh and blood and so the story ends.

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WESTMINSTER ABBEY.

When I behold, with deepe astonishment,
To famous Westminster how there resorte,
Living in brasse or stoney monument,
The princes and the worthies of all sorte;
Doe not I see reformde nobilitie,
Without contempt, or pride, or ostentation,
And looke upon offenselesse majesty,
Naked of pomp or earthly domination?
And how a play-game of a painted stone
Contents the quiet now and silent sprites,
Whome all the world which late they stood upon,
Could not content nor quench their appetites.
Life is a frost of cold felicitie,

And death the thaw of all our vanitie.

Christolero's Epigrams, by T. B. 1598.

On one of those sober and rather melancholy days, in the latter part of autumn, when the shadows of morning and evening almost mingle together, and throw a gloom over the decline of the year, I passed several hours in rambling about Westminster Abbey. There was something congenial to the season in the mournful magnificence of the old pile; and as I passed its threshold, it seemed like stepping back into the regions of antiquity, and losing myself among the shades of former ages.

I entered from the inner court of Westminster school, through a long, low, vaulted passage, that had an almost subterranean look, being dimly lighted in one part by circular perforations in the massy walls. Through this dark avenue I had a distant view of the cloisters, with the figure of an old verger, in his black gown, moving along their shadowy vaults, and seeming like a spectre from one of the neigh

bouring tombs. The approach to the abbey through these gloomy monastic remains prepares the mind for its solemn contemplation. The cloisters still retain something of the quiet and seclusion of former days. The grey walls are discoloured by damps, and crumbling with age; a coat of hoary moss has gathered over the inscriptions of the mural monuments, and obscured the death's heads, and other funereal emblems. The sharp touches of the chisel are gone from the rich tracery of the arches; the roses which adorned the key-stones have lost their leafy beauty; everything bears marks of the gradual dilapidations of time, which yet has something touching and pleasing in its very decay.

The sun was pouring down a yellow autumnal ray into the square of the cloisters; beaming upon a scanty plot of grass in the centre, and lighting up an angle of the vaulted passage with a kind of dusty splendour. From between the arcades, the eye glanced up to a bit of blue sky or a passing cloud; and beheld the sun-gilt pinnacles of the abbey towering into the azure heaven.

As I paced the cloisters, sometimes contemplating this mingled picture of glory and decay, and sometimes endeavouring to decipher the inscriptions on the tombstones, which formed the pavement beneath my feet, my eye was attracted to three figures, rudely carved in relief, but nearly worn away by the footsteps of many generations. They were the effigies of three of the early abbots; the epitaphs were entirely effaced; the names alone remained, having no doubt been renewed in later times. (Vitalis. Abbas. 1082, and Gislebertus Crispinus. Abbas. 1114, and Laurentius. Abbas. 1176.) I remained some little while musing over these casual relics of antiquity, thus left like wrecks upon the distant shore of time, telling no tale but that such beings had been and had perished; teaching no moral but the futility of that pride which hopes still to exact homage in its ashes, and to live in an inscription. A little longer, and even these faint records will be obliterated, and the monument will cease to be a memorial. Whilst I was yet looking down upon these grave

The Sketch Book.

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stones, I was roused by the sound of the abbey clock, reverberating from buttress to buttress, and echoing among the cloisters. It is almost startling to hear this warning of departed time sounding among the tombs, and telling the lapse of the hour, which, like a billow, has rolled us onward towards the grave. I pursued my walk to an arched door opening to the interior of the abbey. On entering here, the magnitude of the building breaks fully upon the mind, contrasted with the vaults of the cloisters. The eye gazes with wonder at clustered columns of gigantic dimensions, with arches springing from them to such an amazing height; and man wandering about their bases, shrunk into insignificance in comparison with his own handiwork. The spaciousness and gloom of this vast edifice produce a profound and mysterious awe. We step cautiously and softly about, as if fearful of disturbing the hallowed silence of the tomb; while every foot-fall whispers along the walls, and chatters among the sepulchres, making us more sensible of the quiet we have interrupted.

It seems as if the awful nature of the place presses down upon the soul, and hushes the beholder into noiseless reverence. We feel that we are surrounded by the congregated bones of the great men of past times, who have filled history with their deeds, and the earth with their renown.

And yet it almost provokes a smile at the vanity of human ambition, to see how they are crowded together and justled in the dust; what parsimony is observed in doling out a scanty nook, a gloomy corner, a little portion of earth, to those, whom, when alive, kingdoms could not satisfy; and how many shapes, and forms, and artifices, are devised to catch the casual notice of the passenger, and save from forgetfulness, for a few short years, a name which once aspired to occupy ages of the world's thought and admiration.

I passed some time in Poet's Corner, which occupies an end of one of the transepts or cross aisles of the abbey. The monuments are generally simple; for the lives of literary men afford no striking themes for the sculptor. Shakspeare and

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