A man whose tuned humours be A seat of rarest harmony? Wouldst see blithe looks, fresh cheeks, beguile In sum, wouldst see a man that can Fall with soft wings, stuck with soft flowers; This rare one, reader, wouldst thou see? Hymn to the Name of Jesus. I sing the Name which none can say, The heirs elect of love; whose names belong All ye wise souls, who in the wealthy breast Of this unbounded Name build your warm nest. Awake, my glory! soul (if such thou be, And that fair word at all refer to thee), Awake and sing, And be all wing! Great Nature for the key of her huge chest Of nimble art, and traverse round To warn each several kind And shape of sweetness-be they such As sigh with supple wind Or answer artful touch That they convene and come away The attending world, to wait thy rise, And then, not knowing what to do, And kill the death of this delay. To catch the daybreak of thy dawn! Body of blessings! spirit of souls extracted! Cloud of condensed sweets! and break upon us Oh, fill our senses, and take from us To think aught sweet but that which smells of thee, Hourly there meets An universal synod of all sweets; For ever shall presume To pass for odoriferous, But such alone whose sacred pedigree Can prove itself some kin, sweet name! to thee. Sweet name! in thy each syllable A thousand blest Arabias dwell; A thousand hills of frankincense; The soul that tastes thee takes from thence. Of comforts, which thou hast in keeping! To awake them, And to take them Home, and lodge them in his heart. Oh, that it were as it was wont to be, When thy old friends, on fire all full of thee, To wait at the love-crowned doors of that illustrious Fought against frowns with smiles; gave glorious chase day Come, lovely name! life of our hope! Lo, we hold our hearts wide ope! Unlock thy cabinet of day, Dearest sweet, and come away. Lo, how the thirsty lands Gasp for thy golden show'rs, with long-stretch'd hands! Lo, how the labouring earth, That hopes to be All heaven by thee, Leaps at thy birth! To persecutions; and against the face Of death and fiercest dangers, durst with brave On their bold breasts about the world they bore thee, In centre of their inmost souls they wore thee, Where racks and torments striv'd in vain to reach thee. Little, alas! thought they Who tore the fair breasts of thy friends, Their fury but made way For thee, and serv'd them in thy glorious ends. What did their weapons, but with wider pores Enlarge thy flaming-breasted lovers, More freely to transpire That impatient fire The heart that hides thee hardly covers ? Each wound of theirs was thy new morning, With blush of thine own blood thy day adorning : Of wrath, and made the way through all these wounds. Welcome, dear, all-adored name! For sure there is no knee That knows not thee; Or if there be such sons of shame, When stubborn rocks shall bow, And hills hang down their heav'n-saluting heads Of dust, where, in the bashful shades of night, And couch before the dazzling light of thy dread They that by love's mild dictate now Will not adore thee, Shall then, with just confusion, bow SIR RICHARD FANSHAWE. SIR RICHARD FANSHAWE, knight, brother of Thomas Lord Fanshawe, was born in 1607. He joined the royalists, and was secretary at war to Prince Rupert. After the Restoration, he was appointed ambassador to Spain and Portugal, in which character he died at Madrid in 1666. Fanshawe translated the Lusiad of Camoens, and the Pastor Fido of Guarini. With the latter production, published in 1648, he gave to the world some miscellaneous poems, from which the following are selected : A Rose. Thou blushing rose, within whose virgin leaves Know, then, the thing that swells thee is thy bane; Some clown's coarse lungs will poison thy sweet flower, A Rich Fool. Thee, senseless stock, because thou'rt richly gilt, Sabean incense in a fragrant cloud SONG.-The Saint's Encouragement. Fight on, brave soldiers, for the cause; Their threat'nings are as senseless, as 'Tis you must perfect this great work, You must bring back the king again By robbing churches, plundering men, Down with the orthodoxal train, When these are gone, we shall be blest, When Charles we've bankrupt made like us, Of crown and power bereft him, And all his loyal subjects slain, We'll make him then a glorious prince, That we against him fight, Who fight for us, fight for the king At Keynton, Branford, Plymouth, York, What victories we saints obtain'd, How often we Prince Rupert kill'd, The clean contrary way. Not known to one of twenty; Their lawful sovereign; and all these By prisonments and plunder, He sees we stand for peace and truth, The public faith shall save our souls, But when our faith and works fall down, Our acts will bear us up to heaven, SONG.-The Royalist. [Written in 1646.] Come, pass about the bowl to me; A health to our distressed king! When storms do fall, and shall not we? When we are ships and sack 's the sea. Pox on this grief, hang wealth, let's sing, Shall kill ourselves for fear of death? We'll live by the air which songs doth bring, Our sighing does but waste our breath: Then let us not be discontent, Nor drink a glass the less of wine; In vain they'll think their plagues are spent, When once they see we don't repine. We do not suffer here alone, Though we are beggar'd, so's the king; "Tis sin t' have wealth, when he has none; Tush! poverty's a royal thing! When we are larded well with drink, Our heads shall turn as round as theirs, Our feet shall rise, our bodies sink Clean down the wind, like cavaliers. Fill this unnatural quart with sack, Nature all vacuums doth decline, Ourselves will be a zodiac, And every month shall be a sign. Methinks the travels of the glass Are circular like Plato's year, Where everything is as it was; Let's tipple round; and so 'tis here. LADY ELIZABETH CAREW. LADY ELIZABETH CAREW is believed to be the author of the tragedy of Mariam, the Fair Queen of Jewry, 1613. Though wanting in dramatic interest and spirit, there is a vein of fine sentiment and feeling in this forgotten drama. The following chorus, in Act the Fourth, possesses a generous and noble simplicity : [Revenge of Injuries.] The fairest action of our human life Is scorning to revenge an injury; To yield to worth it must be nobly done; In base revenge there is no honour won. We say our hearts are great, and cannot yield; A noble heart doth teach a virtuous scorn. To scorn to owe a duty overlong; To scorn to be for benefits forborne ; To scorn to lie, to scorn to do a wrong. To scorn to bear an injury in mind; To scorn a free-born heart slave-like to bind. But if for wrongs we needs revenge must have, Then be our vengeance of the noblest kind; Do we his body from our fury save, And let our hate prevail against our mind? What can 'gainst him a greater vengeance be, Than make his foe more worthy far than he Had Mariam scorn'd to leave a due unpaid, She would to Herod then have paid her love, And not have been by sullen passion sway'd. To fix her thoughts all injury above Is virtuous pride. Had Mariam thus been proud, Long famous life to her had been allow'd. SCOTTISH POETS. ALEXANDER SCOT. While Sidney, Spenser, Marlow, and other poets, were illustrating the reign of Elizabeth, the muses were not wholly neglected in Scotland. There was, however, so little intercourse between the two nations, that the works of the English bards seem to have been comparatively unknown in the north, and to have had no Scottish imitators. The country was then in a rude and barbarous state, tyrannised over by the nobles, and torn by feuds and dissensions. In England, the Reformation had proceeded from the throne, and was accomplished with little violence or disorder. In Scotland, it uprooted the whole form of society, and was marked by fierce contentions and lawless turbulence. The absorbing influence of this ecclesiastical struggle was unfavourable to the cultivation of poetry. It shed a gloomy spirit over the nation, and almost proscribed the study of romantic literature. The drama, which in England was the nurse of so many fine thoughts, so much stirring passion, and beautiful imagery, was shunned as a leprosy, fatal to religion and morality. The very songs in Scotland partook of this religious chathat ALEXANDER SCOT, in his New Year Gift to the racter; and so widely was the polemical spirit diffused, Queen, in 1562, says— That limmer lads and little lasses, lo, Will argue baith with bishop, priest, and friar. Scot wrote several short satires, and some miscellaneous poems, the prevailing amatory character of which has caused him to be called the Scottish Anacreon, though there are many points wanting to complete his resemblance to the Teian bard. As specimens of his talents, the two following pieces are presented : Rondel of Love. Lo what it is to luve, Learn ye that list to pruve, By me, I say, that no ways may, The grund of greif remuve. But still decay, both nicht and day; Lo what it is to luve ! Luve is ane fervent fire, Kendillit without desire, Short plesour, lang displesour; Repentance is the hire; Ane pure tressour, without messour; Luve is ane fervent fire. Lethington Castle. daughter acted as amanuensis to the aged poet. His familiar style reminds us of that of Lyndsay. Satire on the Town Ladies. Some wifis of the borowstoun And of fine silk their furrit clokis, Their wilicoats maun weel be hewit, I trow wha wald the matter speir, Their woven hose of silk are shawin, Their collars, carcats, and hause beidis !4 Their shoon of velvet, and their muilis ! And some will spend mair, I hear say, Leave, burgess men, or all be lost, ALEXANDER MONTGOMERY. ALEXANDER MONTGOMERY was known as a poet in 1568; but his principal work, The Cherry and the Slae, was not published before 1597. The Cherry and the Slae is an allegorical poem, representing virtue and vice. The allegory is poorly managed; but some of Montgomery's descriptions are lively and vigorous; and the style of verse adopted in this poem was afterwards copied by Burns. Divested of some of the antique spelling, parts of the poem seem as modern, and as smoothly versified, as the Scottish poetry of a century and a-half later. The cushat crouds, the corbie cries, To geck there they begin ; They deave't me with their din. Can on his May-cock call; The turtle wails on wither'd trees, Repeating, with greeting, I saw the hurcheon and the hare In hidlings hirpling here and there,* The bearded buck clamb up the brae Some feeding, some dreading Had trinkled mony a tear; Wherewith their heavy heads declined Some knoping, some dropping Of balmy liquor sweet, Excelling and smelling Through Phoebus' wholesome heat. Cry till their eyes become red. * Burns, in describing the opening scene of his Holy Fair, has 'The hares were hirpling down the furs.' ALEXANDER HUME. TO 1649. ALEXANDER HUME, who died, minister of Logie, in 1609, published a volume of Hymns or Sacred Songs, in the year 1599. He was of the Humes of Polwarth, Logie Kirk. and, previous to turning clergyman, had studied the O perfect light, which shed away Thy glory, when the day forth flies, The shadow of the earth anon Whilk soon perceive the little larks, The lapwing and the snipe; And tune their song like Nature's clerks, The summer day of the poet is one of unclouded splendour. The time so tranquil is and clear, That nowhere shall ye find, Save on a high and barren hill, An air of passing wind. All trees and simples, great and small, Than they were painted on a wall, No more they move or steir. |