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Page 20
... side of the footlights— that on his side it would be chiefly of the 20 SHAKESPEARE AT CAMBRIDGE (The Athenaeum, June 20, 1919 CHARACTERS AND Commentaries)
... side of the footlights— that on his side it would be chiefly of the 20 SHAKESPEARE AT CAMBRIDGE (The Athenaeum, June 20, 1919 CHARACTERS AND Commentaries)
Page 166
... side to us the obviously weak side - of Beyle's genius that seems to be most in favour with French critics . To judge from M. Barrès , writing dithyrambically of Beyle's ' sentiment d'honneur , ' that is his true claim to greatness ...
... side to us the obviously weak side - of Beyle's genius that seems to be most in favour with French critics . To judge from M. Barrès , writing dithyrambically of Beyle's ' sentiment d'honneur , ' that is his true claim to greatness ...
Page 288
... side of him — the tragic side— makes its appearance in his letters . When it does , the beauty of the expression is as perfect as ever . ' All my strength is gone , ' he wrote to Miss Wordsworth , during one of his sister's temporary ...
... side of him — the tragic side— makes its appearance in his letters . When it does , the beauty of the expression is as perfect as ever . ' All my strength is gone , ' he wrote to Miss Wordsworth , during one of his sister's temporary ...
Contents
SHAKESPEARES FINAL PERIOD The Independent | 1 |
WORDS AND POETRY The Hogarth Press 1928 | 16 |
RABELAIS The New Statesman Feb 16 1918 CHARAC | 31 |
Copyright | |
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able admiration appears beauty become Beddoes begins Beyle Browne certainly character characteristic charming complete criticism death difficult doubt effect eighteenth century elaborate Elizabethan English epigrams expression fact feeling force French genius give hand heart human humour imagination important instance interest Italy kind Lady least less letters light literary literature lived look Lord master means MICHIGAN mind Miss mysterious nature never obvious once original passage passion perhaps persons play poems poet poetry Pope present produced prose question Racine reader reason remarkable rest seems sense sentence Shakespeare side simple sometimes speak spirit story strange style suggests taste things thought tion tragedy true truth turned UNIVERSITY verse vision whole writing written wrote