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Page 29
... question immediately presents itself— in that case , for what reason are we to suppose that Iago acted as he did ? The whole story depends upon his plot , which forms the machinery of the action ; yet , if the Desdemona im- pulsion is ...
... question immediately presents itself— in that case , for what reason are we to suppose that Iago acted as he did ? The whole story depends upon his plot , which forms the machinery of the action ; yet , if the Desdemona im- pulsion is ...
Page 48
... question at issue — not whether Wycherley and his successors were or were not indecent , but whether they were or were not indecent with the particular nuance that Macaulay im- putes to them . His arguments appear to me unconvincing ...
... question at issue — not whether Wycherley and his successors were or were not indecent , but whether they were or were not indecent with the particular nuance that Macaulay im- putes to them . His arguments appear to me unconvincing ...
Page 61
... questions connected both with Racine's dramatic construction , and with his style ; and these are the very ques- tions ... question , it may be well to consider briefly another matter which deserves attention , because the English reader ...
... questions connected both with Racine's dramatic construction , and with his style ; and these are the very ques- tions ... question , it may be well to consider briefly another matter which deserves attention , because the English reader ...
Contents
SHAKESPEARES FINAL PERIOD The Independent | 1 |
WORDS AND POETRY The Hogarth Press 1928 | 16 |
RABELAIS The New Statesman Feb 16 1918 CHARAC | 31 |
Copyright | |
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