Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 158
... style seeks to be different in essence from prose and from the style of fellow poets " ) , are refuted on the evidence of translatio , imitatio , the theory of genres and the hierarchy of styles ( 41-70 ) . Through a series of rigorous ...
... style seeks to be different in essence from prose and from the style of fellow poets " ) , are refuted on the evidence of translatio , imitatio , the theory of genres and the hierarchy of styles ( 41-70 ) . Through a series of rigorous ...
Page 161
... style comes across in English , especially when the translation of the terms is fairly straightforward : magisterio purpúreo en la belleza becomes a crimson class in beauty . Warnke also deals successfully with the density of style and ...
... style comes across in English , especially when the translation of the terms is fairly straightforward : magisterio purpúreo en la belleza becomes a crimson class in beauty . Warnke also deals successfully with the density of style and ...
Page 181
... style " that is quite different from Descartes ' " limpid prose " ( 35 ) —though his limpidness hides much complexity - but that analysis glosses over the very fundamental departure represented by Charron's persistent efforts to be ...
... style " that is quite different from Descartes ' " limpid prose " ( 35 ) —though his limpidness hides much complexity - but that analysis glosses over the very fundamental departure represented by Charron's persistent efforts to be ...
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action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY