Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 14
... sense ) space of vision ; the substance and mobility of his physique are fully involved in the work of receiving the images , as he receives the Eucharist , the Doxology , the Word . The body does not see itself ; the gaze un- der which ...
... sense ) space of vision ; the substance and mobility of his physique are fully involved in the work of receiving the images , as he receives the Eucharist , the Doxology , the Word . The body does not see itself ; the gaze un- der which ...
Page 130
... sense , Bérénice's and Titus ' love is composed of two incompatible elements : a relation of intimacy and a relation to history , a relation of a " je " to a " tu " and also a relation to a third " person . " The first component of ...
... sense , Bérénice's and Titus ' love is composed of two incompatible elements : a relation of intimacy and a relation to history , a relation of a " je " to a " tu " and also a relation to a third " person . " The first component of ...
Page 161
... sense of movement , as against a static sense of the Italian , both in vocabulary and idea ( to have , to love which is a desire to possess permanently ) . The English is possibly more forceful than the Italian . Even a cursory reading ...
... sense of movement , as against a static sense of the Italian , both in vocabulary and idea ( to have , to love which is a desire to possess permanently ) . The English is possibly more forceful than the Italian . Even a cursory reading ...
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Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY