Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 37
... say , in tragedy il n'y doit avoir qu'une action complète , qui laisse l'esprit de l'auditeur dans le calme ; mais ... says , Ne me reprochez point la mort de votre Amant . Querellez Ciel et Terre , et maudissez le Sort , Mais après le ...
... say , in tragedy il n'y doit avoir qu'une action complète , qui laisse l'esprit de l'auditeur dans le calme ; mais ... says , Ne me reprochez point la mort de votre Amant . Querellez Ciel et Terre , et maudissez le Sort , Mais après le ...
Page 65
... say that they constitute an aesthetic of time so general and so powerful that it is able to subsume drama and the theory of drama . Both plays and theory , in other words , have in common certain assumptions about the density and the ...
... say that they constitute an aesthetic of time so general and so powerful that it is able to subsume drama and the theory of drama . Both plays and theory , in other words , have in common certain assumptions about the density and the ...
Page 180
... say , ' forces " " ( 150 ) . On the second omission , it can be said that De Ley rapidly dismisses any social considerations . His suggested opposition between himself and them ( " as they say " ) points to a possible uneasiness that is ...
... say , ' forces " " ( 150 ) . On the second omission , it can be said that De Ley rapidly dismisses any social considerations . His suggested opposition between himself and them ( " as they say " ) points to a possible uneasiness that is ...
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Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY