Continuum, Volume 2AMS Press, 1990 - French literature |
From inside the book
Results 1-3 of 17
Page 9
... object , to be changed into the loved object : Scavez - vous bien que c'est qu'aimer ? C'est mourir en soy , pour revivre en autruy , c'est ne se point aimer que d'autant que l'on est agreable à la chose aimée , et bref , c'est une ...
... object , to be changed into the loved object : Scavez - vous bien que c'est qu'aimer ? C'est mourir en soy , pour revivre en autruy , c'est ne se point aimer que d'autant que l'on est agreable à la chose aimée , et bref , c'est une ...
Page 66
... object and the discourse of dramatic theory , he permitted the French seventeenth century to assume an aesthetic awareness of its difference from other periods . Corneille's status as typical or atypical of classicism is less important ...
... object and the discourse of dramatic theory , he permitted the French seventeenth century to assume an aesthetic awareness of its difference from other periods . Corneille's status as typical or atypical of classicism is less important ...
Page 229
... objects of desire according to inherited semiological codes " ( 89-90 ) . Desire remains beyond gratification because " all objects of desire are represented by conventional constructs unrelated to authentic expressions of a stable self ...
... objects of desire according to inherited semiological codes " ( 89-90 ) . Desire remains beyond gratification because " all objects of desire are represented by conventional constructs unrelated to authentic expressions of a stable self ...
Other editions - View all
Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY