Continuum, Volume 2AMS Press, 1990 - French literature |
From inside the book
Results 1-3 of 23
Page 29
... later when Déjanire's fears are expressed in a set - piece scene ( III , 3 ) unlinked to the first two in that act . Déjanire's madness and disappearance from the stage at the end of Act III leaves a gap which is filled by the ...
... later when Déjanire's fears are expressed in a set - piece scene ( III , 3 ) unlinked to the first two in that act . Déjanire's madness and disappearance from the stage at the end of Act III leaves a gap which is filled by the ...
Page 36
... later be , much more ambiguous than the one consulted by Camille ( I , 2 ) . The play's structural problems are considerably more important , however , with the impli- cation that the action is not taken at crisis point underpinning the ...
... later be , much more ambiguous than the one consulted by Camille ( I , 2 ) . The play's structural problems are considerably more important , however , with the impli- cation that the action is not taken at crisis point underpinning the ...
Page 182
... later works on prisons and sexuality . The early readers of Foucault thus might have missed the fact that he was already making a heuristic , polemical use of the concept , and they found it tempting to take his extremely detailed and ...
... later works on prisons and sexuality . The early readers of Foucault thus might have missed the fact that he was already making a heuristic , polemical use of the concept , and they found it tempting to take his extremely detailed and ...
Other editions - View all
Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY