Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 8
... human artifact — and especially one that offers a model for human subjectivity , no matter how idealized it may be — and not to see that artifact as a political / sexual enterprise . Normally , however , it is only through a reading ...
... human artifact — and especially one that offers a model for human subjectivity , no matter how idealized it may be — and not to see that artifact as a political / sexual enterprise . Normally , however , it is only through a reading ...
Page 42
... human agent is created . Dramatis personae in Corneille's plays have the appearance of genuine hu- man subjects : in modern terms , they display character , personality , autonomy , psychological depth , even " rights " . They ...
... human agent is created . Dramatis personae in Corneille's plays have the appearance of genuine hu- man subjects : in modern terms , they display character , personality , autonomy , psychological depth , even " rights " . They ...
Page 111
... human condition , carries with it the unbearable awareness of its own inadequacy . And yet , in spite of humanity's median position , the Jansenists see no possible mediation between the human and the divine . As Paul Bénichou puts it ...
... human condition , carries with it the unbearable awareness of its own inadequacy . And yet , in spite of humanity's median position , the Jansenists see no possible mediation between the human and the divine . As Paul Bénichou puts it ...
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Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY