Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 137
... final order in the play , " Ne suivez point mes pas , " 1505 ) , it is that she is unwilling to let Titus ' presence ... final centrifugal movement of the protagonists . Similarly , if in Bérénice's first speech onstage she speak of ...
... final order in the play , " Ne suivez point mes pas , " 1505 ) , it is that she is unwilling to let Titus ' presence ... final centrifugal movement of the protagonists . Similarly , if in Bérénice's first speech onstage she speak of ...
Page 145
... final stage of his life — the period in which he attempts to deny the power of the tragic milieu - to be reconciled with his God , his king , and his family . It might appear that his tragic milieu is behind him , his ( and his ...
... final stage of his life — the period in which he attempts to deny the power of the tragic milieu - to be reconciled with his God , his king , and his family . It might appear that his tragic milieu is behind him , his ( and his ...
Page 226
... final chapter of Melzer's study conform perfectly to the critical activity Alter describes concerning midrash , reflecting a self - conscious need to conform to canon . The introduction lays the theoretical groundwork for what Edouard ...
... final chapter of Melzer's study conform perfectly to the critical activity Alter describes concerning midrash , reflecting a self - conscious need to conform to canon . The introduction lays the theoretical groundwork for what Edouard ...
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Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY