Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 115
... dialogue the leading part . Three actors and scene - painting Sophocles introduced ( Poetics , IV , p . 19 ) . Is it not curious that Racine reverses the history of Attic tragedy by tending to reduce the number of characters onstage ...
... dialogue the leading part . Three actors and scene - painting Sophocles introduced ( Poetics , IV , p . 19 ) . Is it not curious that Racine reverses the history of Attic tragedy by tending to reduce the number of characters onstage ...
Page 124
... is defined not by the dialogue of a je / tu relation , but by a principle of exclusion and exclu- sivity : only one " person " can be at the center of power , so that if that " place est [ déjà ] occupée , " 124 CONTINUUM.
... is defined not by the dialogue of a je / tu relation , but by a principle of exclusion and exclu- sivity : only one " person " can be at the center of power , so that if that " place est [ déjà ] occupée , " 124 CONTINUUM.
Page 216
... Dialogue remains in its original form , but punctuation has been modernized . While it is a pleasure to read a story which prompts one to snort uproariously at lofty pretentions levelled by earthly appetites still recognizable , it is ...
... Dialogue remains in its original form , but punctuation has been modernized . While it is a pleasure to read a story which prompts one to snort uproariously at lofty pretentions levelled by earthly appetites still recognizable , it is ...
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Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY