Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 3
... classical Absolutism . What I would like to insist upon in this already too long preamble is how Classical desire is structured by this passage so that it worked for us as a " versimilous " narration of sexual recognition , and pleasure ...
... classical Absolutism . What I would like to insist upon in this already too long preamble is how Classical desire is structured by this passage so that it worked for us as a " versimilous " narration of sexual recognition , and pleasure ...
Page 4
... classical " text and the Classical universe that was so enamored of its characters and its world as to make them over as its own ? Is the Astrée , as generations of scholars have claimed , already classical in " style " and can we ...
... classical " text and the Classical universe that was so enamored of its characters and its world as to make them over as its own ? Is the Astrée , as generations of scholars have claimed , already classical in " style " and can we ...
Page 107
... Classical respect for moderation ? To this extent " la juste grandeur " of tragedy is an heir to " le juste milieu , " the golden mean , the classical doctrine of moderation in all things . When Racine does recognize the need for excess ...
... Classical respect for moderation ? To this extent " la juste grandeur " of tragedy is an heir to " le juste milieu , " the golden mean , the classical doctrine of moderation in all things . When Racine does recognize the need for excess ...
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Common terms and phrases
action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY