Continuum, Volume 2AMS Press, 1990 - French literature |
From inside the book
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Page 222
... Chapter II , " Errance , " the author glances at the legend of La Fontaine's life and at the diversity of the poet's inspiration ( " Tous les genres lui sont bons . . . " [ 36 ] ) ; he discusses an array of poetic works , including ...
... Chapter II , " Errance , " the author glances at the legend of La Fontaine's life and at the diversity of the poet's inspiration ( " Tous les genres lui sont bons . . . " [ 36 ] ) ; he discusses an array of poetic works , including ...
Page 226
... chapter of Melzer's study conform perfectly to the critical activity Alter describes concerning midrash , reflecting a self - conscious need to conform to canon . The introduction lays the theoretical groundwork for what Edouard Morot ...
... chapter of Melzer's study conform perfectly to the critical activity Alter describes concerning midrash , reflecting a self - conscious need to conform to canon . The introduction lays the theoretical groundwork for what Edouard Morot ...
Page 227
... chapter , " Seventeenth - Century Discourse : Sin and Signs . " ( The book's chapter titles , " Sin and Signs , " " Paradise / Paradigm , " reflect faithfully Melzer's tone : total detachment from any moral or spiritual concerns . This ...
... chapter , " Seventeenth - Century Discourse : Sin and Signs . " ( The book's chapter titles , " Sin and Signs , " " Paradise / Paradigm , " reflect faithfully Melzer's tone : total detachment from any moral or spiritual concerns . This ...
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action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY