Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 59
... become real possibilities . The sovereign thus becomes the supreme earthly reader / interpreter of Corneille's world , the ultimate safeguard against human malice and overweening individualism ( cf. the dénouement of Tartuffe ) . He or ...
... become real possibilities . The sovereign thus becomes the supreme earthly reader / interpreter of Corneille's world , the ultimate safeguard against human malice and overweening individualism ( cf. the dénouement of Tartuffe ) . He or ...
Page 118
... become a " tu , " just as a " tu " can stop listening and become a speaking " je . " It is the third person which is not a person , and this has tremendous interest in terms of a definition of theatrical space . The " il " or " elle ...
... become a " tu , " just as a " tu " can stop listening and become a speaking " je . " It is the third person which is not a person , and this has tremendous interest in terms of a definition of theatrical space . The " il " or " elle ...
Page 137
... become that of " suivant , " the latter term demanding a perspective larger than the stage itself and thus a ... becomes " ce jour " ( 1480 ) , and even " ce dernier jour " ( 1489 ) , just as in an earlier speech Titus , as he realizes ...
... become that of " suivant , " the latter term demanding a perspective larger than the stage itself and thus a ... becomes " ce jour " ( 1480 ) , and even " ce dernier jour " ( 1489 ) , just as in an earlier speech Titus , as he realizes ...
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action Andromaque Antiochus Aristotelian Aristotle Aristotle's Astrée autre Bajazet baroque Bérénice bien Britannicus c'est characters chose classical coeur comédien comedy complètes concept concupiscence Corneille Corneille's Cornelian Créon critical critique D'Aubignac d'une désir desire deux discourse doit Dom Juan effet episteme Essais ethical être excluded fait faut fois Forez Foucault française French genre Honoré d'Urfé Horace illusion Jacques Morel Jansenist je/tu relation Junie l'amour l'auteur l'autre l'esprit l'on language Le Cid lecteur literary livre Médée middle modern Molière Montaigne moral mouvement n'est Narcisse narrative Néron Nicole Paris Pascal passion pensées peut plaisir Plato play poésie poetic poetry poets political Port-Royal premier present qu'elle qu'il qu'on qu'un Racine Racine's reader règles Renaissance représentation théâtrale Restoration Comedy rhetorical Rodogune role Rosso scène seventeenth-century sexual siècle social Sophonisbe spectateur spectator structure Syphax temps theater théâtre theatrical third person Titus tout tragedy tragic milieu vérité voir