Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 42
... appearance of genuine hu- man subjects : in modern terms , they display character , personality , autonomy , psychological depth , even " rights " . They constitute a fiction ( the imitation of a reality deemed " out there " beyond both ...
... appearance of genuine hu- man subjects : in modern terms , they display character , personality , autonomy , psychological depth , even " rights " . They constitute a fiction ( the imitation of a reality deemed " out there " beyond both ...
Page 137
... appearance " today " becomes " ce jour " ( 1480 ) , and even " ce dernier jour " ( 1489 ) , just as in an earlier speech Titus , as he realizes the imperatives of empire , shifts from " maintenant que " ( 441 , 442 ) to " lorsque ...
... appearance " today " becomes " ce jour " ( 1480 ) , and even " ce dernier jour " ( 1489 ) , just as in an earlier speech Titus , as he realizes the imperatives of empire , shifts from " maintenant que " ( 441 , 442 ) to " lorsque ...
Page 207
... appearance in the Gospels to her role in a rock opera of our own day ( Webber and Rice's Jesus Christ Superstar ) la Madeleine has inspired theologians , artists , writers and musicians who have seen in her image qualities which could ...
... appearance in the Gospels to her role in a rock opera of our own day ( Webber and Rice's Jesus Christ Superstar ) la Madeleine has inspired theologians , artists , writers and musicians who have seen in her image qualities which could ...
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action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY