Continuum, Volume 2AMS Press, 1990 - French literature |
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Page 237
... Dom Juan , does not figure in Knutson's corpus . He anticipates the objection , to be sure : as a drama about noble dérogeance , Dom Juan teems , as Gaines demonstrates , with precise allusions to noble exemplarity ( 95-111 ) . Yet the ...
... Dom Juan , does not figure in Knutson's corpus . He anticipates the objection , to be sure : as a drama about noble dérogeance , Dom Juan teems , as Gaines demonstrates , with precise allusions to noble exemplarity ( 95-111 ) . Yet the ...
Page 244
... Dom Juan thus becomes a Molinist document of the first order . Such a bias is perhaps unavoidable , given the fact ... Juan myth parallels the course of early modern bourgeois history . Indeed , Don Juan Tenorio is , like modern ...
... Dom Juan thus becomes a Molinist document of the first order . Such a bias is perhaps unavoidable , given the fact ... Juan myth parallels the course of early modern bourgeois history . Indeed , Don Juan Tenorio is , like modern ...
Page 246
... Dom Juan as the locus of a dialogue between human turpitude and good conscience , Pizzari fails to make a case for genuine dialectical development because he refuses to allow for an alteration of consciousness on the part of either Dom Juan ...
... Dom Juan as the locus of a dialogue between human turpitude and good conscience , Pizzari fails to make a case for genuine dialectical development because he refuses to allow for an alteration of consciousness on the part of either Dom Juan ...
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action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY