Continuum, Volume 2AMS Press, 1990 - French literature |
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... Baroque , translated by Frank J. Warnke 159 JEFFERSON HUMPHRIES Dynamics of Detour : Codes of Indirection in Montaigne , Pascal , Racine , and Guilleragues , by Richard L. Barnett 163 JACQUELINE VAN BAELEN Littérature Française , Vol ...
... Baroque , translated by Frank J. Warnke 159 JEFFERSON HUMPHRIES Dynamics of Detour : Codes of Indirection in Montaigne , Pascal , Racine , and Guilleragues , by Richard L. Barnett 163 JACQUELINE VAN BAELEN Littérature Française , Vol ...
Page 159
... Baroque style and its Metaphysical " variations were to be regarded as international phenomena " ( 4 ) . In the present work Warnke continued his intent of making poetry of the Renaissance and the Baroque accessible to English ...
... Baroque style and its Metaphysical " variations were to be regarded as international phenomena " ( 4 ) . In the present work Warnke continued his intent of making poetry of the Renaissance and the Baroque accessible to English ...
Page 173
... baroque . Mathieu - Castellani nonetheless acknowledges mannerism , but in the limited context of the portrait . Like that of the baroque , the concept of mannerism derives from the plastic arts . In her analysis , Mathieu - Castellani ...
... baroque . Mathieu - Castellani nonetheless acknowledges mannerism , but in the limited context of the portrait . Like that of the baroque , the concept of mannerism derives from the plastic arts . In her analysis , Mathieu - Castellani ...
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action analyses appears Astrée attempt autre baroque become Bérénice bien c'est chapter characters chose classical comedy complete concept Corneille Corneille's critical critique d'une dans le death defined described désir desire difference discourse discussion dramatic edition effect Essais ethical être example excluded exists fact fait figures final follow force French illusion important language limite literary means Médée middle milieu Molière Montaigne moral n'est narrative nature Néron never Nicole original Paris passion pensées period peut play poetic poetry poets political possible present problem qu'elle qu'il question Racine Racine's reader reading regard relation représentation represented rhetorical role scene sexual signe social sort structure theater théâtre theory third person Titus tout tragedy tragic UNIVERSITY