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Fra Angelico, by Carlo Dolci.

Photo-etching from a Photograph.

[graphic]

ment which prevents any claim from grasping it seems eminently convenient sometimes: only the oil becomes objectionable when we find it anointing other minds on which we want to establish a hold.

Tito, however, not being quite omniscient, felt now no more than a passing twinge of uneasiness at the suggestion of Ser Ceccone's power to hurt him. It was only for a little while that he cared greatly about keeping clear of suspicions and hostility. He was now playing his final game in Florence, and the skill he was conscious of applying gave him a pleasure in it even apart from the expected winnings. The errand on which he was bent to San Marco was a stroke in which he felt so much confidence that he had already given notice to the Ten of his desire to resign his office at an indefinite period within the next month or two, and had obtained permission to make that resignation suddenly, if his affairs needed it, with the understanding that Niccolò Macchiavelli was to be his provisional substitute, if not his successor. He was acting on hypothetic grounds, but this was the sort of action that had the keenest interest for his diplomatic mind. From a combination of general knowledge concerning Savonarola's purposes with diligently observed details he had framed a conjecture which he was about to verify by this visit to San Marco. If he proved to be right, his game would be won, and he might soon turn his back on Florence. He looked eagerly towards that consummation, for many circumstances besides his own weariness of the place told him that it was time for him to be gone.

CHAPTER XIX.

THE PROPHET IN HIS CELL.

TITO's visit to San Marco had been announced beforehand, and he was at once conducted by Fra Niccolò, Savonarola's secretary, up the spiral staircase into the long corridors lined with cells, corridors where Fra Angelico's frescos, delicate as the rainbow on the melting cloud, startled the unaccustomed eye here and there, as if they had been sudden reflections cast from an ethereal world, where the Madonna sat crowned in her radiant glory, and the Divine infant looked forth with perpetual promise.

It was an hour of relaxation in the monastery, and most of the cells were empty. The light through the narrow windows looked in on nothing but bare walls, and the hard pallet and the crucifix. And even behind that door at the end of a long corridor, in the inner cell opening from an antechamber where the Prior usually sat at his desk or received private visitors, the high jet of light fell on only one more object that looked quite as common a monastic sight as the bare walls and hard pallet. It was but the back of a figure in the long white Dominican tunic and scapulary, kneeling with bowed head before a crucifix. It might have been any ordinary Fra Girolamo, who had nothing worse to confess than thinking of wrong things

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