CHAPTER XXXV WHAT FLORENCE WAS THINKING OF YOR several days Tito saw little of Romola. He told F her gently, the next morning, that it would be better for her to remove any small articles of her own from the library, as there would be agents coming to pack up the antiquities. Then, leaning to kiss her on the brow, he suggested that she should keep in her own room where the little painted tabernacle was, and where she was then sitting, so that she might be away from the noise of strange footsteps. Romola assented quietly, making no sign of emotion: the night had been one long waking to her, and, in spite of her healthy frame, sensation had become a dull continuous pain, as if she had been stunned and bruised. Tito divined that she felt ill, but he dared say no more; he only dared, perceiving that her hand and brow were stone cold, to fetch a furred mantle and throw it lightly round her. And in every brief interval that he returned to her, the scene was nearly the same: he tried to propitiate her by some unobtrusive act or word of tenderness, and she seemed to have lost the power of speaking to him, or of looking at him. "Patience!" he said to himself. "She will recover it, and forgive at last. The tie to me must still remain the strongest.” When the stricken person is slow to recover and look as if nothing had happened, the striker easily glides into the position of the ag grieved party; he feels no bruise himself, and is strongly conscious of his own amiable behaviour since he inflicted the blow. But Tito was not naturally disposed to feel himself aggrieved; the constant bent of his mind was towards propitiation, and he would have submitted to much for the sake of feeling Romola's hand resting on his head again, as it did that morning when he first shrank from looking at her. But he found it the less difficult to wait patiently for the return of his home happiness, because his life out of doors was more and more interesting to him. A course of action which is in strictness a slowly-prepared outgrowth of the entire character is yet almost always traceable to a single impression as its point of apparent origin; and since that moment in the Piazza del Duomo, when Tito, mounted on the bales, had tasted a keen pleasure in the consciousness of his ability to tickle the ears of men with any phrases that pleased them, his imagination had glanced continually towards a sort of political activity which the troubled public life of Florence was likely enough to find occasion for. But the fresh dread of Baldassarre, waked in the same moment, had lain like an immoveable rocky obstruction across that path, and had urged him into the sale of the library, as a preparation for the possible necessity of leaving Florence, at the very time when he was beginning to feel that it had a new attraction for him. That dread was nearly removed now: he must wear his armour still, he must prepare himself for possible demands on his coolness and ingenuity, but he did not feel obliged to take the inconvenient step of leaving Florence and |