dressing the saint who had requested of him a detail of the engagement in which Magnus had been defeated Thus was the mighty battle won On Erin's sounding shore; Alas! far sweeter to mine ear The triumphs of that day Than all the psalming songs I hear, Thou hast my tale ;-though memory bleeds, And sorrow wastes my frame, Still will I tell of former deeds, And live on former fame! Now old, the streams of life congeal'd, No sword this wither'd hand can wield, Among thy clerks, my last sad hour And psalms must now supply the pow'r It is nevertheless to the opening of The Chase, a legendary poem, which, from its mention of church bells, cannot be attributed to a period earlier than * Fingal. the middle ages, that we are indebted for the fullest developement of the character of Ossian as drawn by the Irish bards. This piece also, like the former, displays a glowing picture of the head and heart of the king of Morven, to whom, as the fair translator has remarked, every quality is attributed that is either interesting, amiable, or great *. The delineation, indeed, either of Ossian or his royal father, being precisely such as we find drawn in the poems translated by Macpherson, would answer the purpose which I have in view; but as the character of the bard is, from the splendor of his genius, from his blindness, and his being the last of his race, perhaps still more endeared to us than that of the warrior, I shall confine myself principally to the picture which has been given us of the former. The saint and the poet are represented as usual, conversing familiarly together, when the latter exclaims with his customary courtesy, son of Calphruin!-sage divine ! Soft voice of heavenly song, Whose notes around the holy shrine Sweet melody prolong; * Reliques, p. 99. Did e'er my tale thy curious ear The chase, which singly o'er the plain, The hero's steps pursued; Its wond'rous progress view'd? A query to which the holy anchorite replies, O royal bard! to valour dear, But let me now, O bard, prevail ! The insinuation which the saint here throws out against the veracity of the bard very naturally and very deservedly calls forth a rebuke, but delivered in a tone of energy and moral dignity which has seldom been surpassed : O Patrick! to the Finian race A falsehood was unknown; No lie, no imputation base On our clear fame was thrown; But by firm truth and manly might Not thy own clerks, whose holy feet Not thy own clerks in truth excell'd By honour train'd, by fame impell'd O Patrick of the placid mien, Not one more faithful didst thou know Were Morni's * valiant son alive, * The celebrated Gaul Mac Mevrni, well known to the reader of Ossian's Poems. "Great as is Oisin's partiality," remarks the translator, " in favour of the heroes of his own race, yet we find him, on all occasions, doing ample justice VOL. II. E Or Mac O'Dhuivne, graceful form, The hero who would breast the storm, Or he whose sword the ranks defy'd, Whose valour would a war decide, Or could Mac-Ronan now appear, Not then, as now, should Calphruin's son With bells and psalms the land o'er-run, And hum his holy song! If Fergus † lived, again to sing As erst, the Fennii's fame; Or Daire, who sweetly touch'd the string, to the character and valour of a chief, who was not allied to his family, and whose tribe had even, at different times, been their very bitterest enemies."-Reliques, p. 76, 77. * Oscar the son of Ossian, who is said by the Irish bards to have been killed at the battle of Gabhra. † Fergus, one of the brothers of Ossian, and equally celebrated in the poetical annals of Ireland for the gift of song. He is beautifully and characteristically distinguished in the poem of Magnus the Great, to whom he had been sent |