Sitar Music in Calcutta: An Ethnomusicological Study

Front Cover
University of Calgary Press, 1989 - Music - 310 pages
This book represents the culmination of approximately twelve years of study of Indian music, culture, society and religions. The author spent nine of the twelve years living in India learning music from exponents of the 'classical' tradition. This book was not written as solely an academic evaluation but rather reflects a deep personal interest in the people and music of another culture. As a result of the author's wide-ranging background in Indology and the experience gained from living in the culture, he is able to make definitive statements on the interrelationship between modes of perception, social organisation and musical structure. In so doing, the author has evolved a model which can be used in the study of any culture and music system and thereby makes a significant contribution to ethnomusicology.

Contents

Material Objects XXX
4
CALCUTTA xxxix
11
CHAPTER I
11
PATRONAGE IN THE TWENTIETH CENTURY 8
11
SITAR GHARANAS
17
Indore Binkar Gharana
25
Maihar Gharana
31
THE MISSING LINK
48
HISTORY
107
TEACHING METHOD
116
TEACHING METHOD
171
TABLES
211
APPENDIX
221
MUSLIM CASTES FOUND IN WEST BENGAL INCLUDING
223
THE CLASSIFICATION OF CHORDOPHONES
229
THE MORPHOLOGY OF THE SADA AND TARAFDAR SITARS
235

THE DEVELOPMENT OF SITAR MORPHOLOGY
62
SITAR BAJ
71
CHAPTER III
79
FIVE RAGS
88
Rag Jaunpuri
94
BIBLIOGRAPHY
253
GLOSSARY
261
Types of Rags
291
NOTATIONS GLOSSARY
301
Copyright

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