Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 59
Page 13
... vision , their method of composition . In spite of the superficial resemblances between the Homeric and Vergilian po- ems , the analogy is not really between Vergil and Homer but rather between the style of the Iliad and the style of an ...
... vision , their method of composition . In spite of the superficial resemblances between the Homeric and Vergilian po- ems , the analogy is not really between Vergil and Homer but rather between the style of the Iliad and the style of an ...
Page 24
... vision in El Greco or Cézanne . In Ortega's " distant " vision the eye leaps afar over a wide horizon or scene , but does not focus upon one point ; instead , by a kind of " optical democracy , " it embraces the whole field of distant ...
... vision in El Greco or Cézanne . In Ortega's " distant " vision the eye leaps afar over a wide horizon or scene , but does not focus upon one point ; instead , by a kind of " optical democracy , " it embraces the whole field of distant ...
Page 25
... vision , or absolute and relative clarity , this po- larity is useful to discriminate between the extreme tension of Botticelli's wire - drawn vision and the sweep- ing , abandoned , saturated vision of baroque painters like Rubens ; or ...
... vision , or absolute and relative clarity , this po- larity is useful to discriminate between the extreme tension of Botticelli's wire - drawn vision and the sweep- ing , abandoned , saturated vision of baroque painters like Rubens ; or ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin