Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 28
Page 123
... turn architecture into a medium for individual ex- pression , and both the Chapel and the anteroom show us a world of frustration where all the forces seem ac- tive , yet frozen or paralyzed by a highly artificial , se- vere , and ...
... turn architecture into a medium for individual ex- pression , and both the Chapel and the anteroom show us a world of frustration where all the forces seem ac- tive , yet frozen or paralyzed by a highly artificial , se- vere , and ...
Page 262
... opposites : Morat is converted ; the Emperor is converted ; the Empress is converted . Aureng - Zebe in turn loves and hates Indamora . The passions are externalized and coarsened by passages of declamation at 262 LATE - BAROQUE.
... opposites : Morat is converted ; the Emperor is converted ; the Empress is converted . Aureng - Zebe in turn loves and hates Indamora . The passions are externalized and coarsened by passages of declamation at 262 LATE - BAROQUE.
Page 289
... turn inward upon the theater of the spirit , a theater where Racine achieved his extremities of con- sciousness . Descartes , Locke , and Racine - each in a different way occupies the seventeenth - century interior theater of man's ...
... turn inward upon the theater of the spirit , a theater where Racine achieved his extremities of con- sciousness . Descartes , Locke , and Racine - each in a different way occupies the seventeenth - century interior theater of man's ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin