Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
From inside the book
Results 1-3 of 64
Page 8
... techniques sometimes are : for techniques may resemble each other even when the media differ . It is possible , on occasions , to treat stone as if it were wood , and the Doric column may be one consequence . So we come to the useful ...
... techniques sometimes are : for techniques may resemble each other even when the media differ . It is possible , on occasions , to treat stone as if it were wood , and the Doric column may be one consequence . So we come to the useful ...
Page 9
... techniques that are pictorial and narrative , generating at the intersection of three opposing techniques an equivocal order of art with inherently non - musical values of color and anecdote . The tone poem , like Rembrandt's etching ...
... techniques that are pictorial and narrative , generating at the intersection of three opposing techniques an equivocal order of art with inherently non - musical values of color and anecdote . The tone poem , like Rembrandt's etching ...
Page 14
... technique has a social context . As society changes , techniques change , along with the media of the arts and the modes of recording experience . So a style becomes an index to the structure of the contem- porary consciousness and to ...
... technique has a social context . As society changes , techniques change , along with the media of the arts and the modes of recording experience . So a style becomes an index to the structure of the contem- porary consciousness and to ...
Other editions - View all
Common terms and phrases
academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin