Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 7
... style . There are , in short , relations between styles themselves and relations between styles and history . Investigating these relations usually leads into the no - man's land of criticism where there are few reliable maps , where ...
... style . There are , in short , relations between styles themselves and relations between styles and history . Investigating these relations usually leads into the no - man's land of criticism where there are few reliable maps , where ...
Page 13
... style of the Iliad and the style of an early Dorian architecture , clarifying , as it does , each structural element ; and between the rich style of the Aeneid and of imperial Roman architec- ture , where elegant " rhetorical ...
... style of the Iliad and the style of an early Dorian architecture , clarifying , as it does , each structural element ; and between the rich style of the Aeneid and of imperial Roman architec- ture , where elegant " rhetorical ...
Page 18
... style is self - defeating ; like Mil- ton , he demonstrates the coexistence of unlike styles and the intricacy of ... style , or possibly in more than one - some works being syntactically pure in style , using the ac- cepted idiom of ...
... style is self - defeating ; like Mil- ton , he demonstrates the coexistence of unlike styles and the intricacy of ... style , or possibly in more than one - some works being syntactically pure in style , using the ac- cepted idiom of ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin