Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 31
... sculpture and painting ( as well as a chanson like The Song of Roland ) were dominated by the techniques of romanesque architecture with its monumental , inexorable " law of the frame " -the tyrannical system of the wall divided into ...
... sculpture and painting ( as well as a chanson like The Song of Roland ) were dominated by the techniques of romanesque architecture with its monumental , inexorable " law of the frame " -the tyrannical system of the wall divided into ...
Page 84
... sculptural rather than architectural ; the plastic features obscure and coarsen the fine mathematical harmony of the pro ... sculpture as a prolonged conflict between two opposing techniques , carving stone and modeling stone ; and when ...
... sculptural rather than architectural ; the plastic features obscure and coarsen the fine mathematical harmony of the pro ... sculpture as a prolonged conflict between two opposing techniques , carving stone and modeling stone ; and when ...
Page 85
... sculptural space is destroyed . Ac- cording to this interpretation the purest renaissance style in sculpture is reached at Rimini , where Agostino di Duccio's reliefs are so low that they have surface tension instead of mass , and the ...
... sculptural space is destroyed . Ac- cording to this interpretation the purest renaissance style in sculpture is reached at Rimini , where Agostino di Duccio's reliefs are so low that they have surface tension instead of mass , and the ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin