Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 161
... says , if one knew all his stops ; yet we cannot pluck out the heart of his mystery , his uncontrolled responses driv- ing him toward irreconcilable extremes , as if by acci- dent . He yields to Providence only after feeling strange ...
... says , if one knew all his stops ; yet we cannot pluck out the heart of his mystery , his uncontrolled responses driv- ing him toward irreconcilable extremes , as if by acci- dent . He yields to Providence only after feeling strange ...
Page 288
... says that Man is Consciousness ; but he gives a limited meaning to consciousness . Racine also says that Man is Con- sciousness ; but he does not restrict consciousness to mathematical analysis and logical perception . Carte- sian ...
... says that Man is Consciousness ; but he gives a limited meaning to consciousness . Racine also says that Man is Con- sciousness ; but he does not restrict consciousness to mathematical analysis and logical perception . Carte- sian ...
Page 296
... says , " Even bodies are not properly speaking known by the senses or the faculty of imagination , but by the under- standing only , and since they are not known from the fact that they are seen or touched , but only because they are ...
... says , " Even bodies are not properly speaking known by the senses or the faculty of imagination , but by the under- standing only , and since they are not known from the fact that they are seen or touched , but only because they are ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin