Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 9
... rhetoric . There is mannerism in antiquity , in the Middle Ages , and in the seven- teenth century . A cycle of mannerism - baroque — ro- coco seems to repeat itself during the renaissance and the nineteenth century , since Ingres is ...
... rhetoric . There is mannerism in antiquity , in the Middle Ages , and in the seven- teenth century . A cycle of mannerism - baroque — ro- coco seems to repeat itself during the renaissance and the nineteenth century , since Ingres is ...
Page 169
... rhetoric ) , upon pulleys , glasses , floors , chests , perfumes , jewels , and every other ordinary object thrown into a succession of images quickly collected ; then comes a sudden dra- matic resolution that cannot be expressed in the ...
... rhetoric ) , upon pulleys , glasses , floors , chests , perfumes , jewels , and every other ordinary object thrown into a succession of images quickly collected ; then comes a sudden dra- matic resolution that cannot be expressed in the ...
Page 258
... rhetorical strain . By contrast , the " combination of bulky and contrasting masses " 2 at San Carlo al Corso seems to ... rhetoric ; the formula of thrust and counterthrust , swing and counterswing , is worked out symmetrically within a ...
... rhetorical strain . By contrast , the " combination of bulky and contrasting masses " 2 at San Carlo al Corso seems to ... rhetoric ; the formula of thrust and counterthrust , swing and counterswing , is worked out symmetrically within a ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin