Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700 |
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Page 13
... representing what is seen or experi- enced , then it involves the whole cultural and social world that influences the artist to try to represent reality as he does . If style is a mode of representation , yet the artist is bound to ...
... representing what is seen or experi- enced , then it involves the whole cultural and social world that influences the artist to try to represent reality as he does . If style is a mode of representation , yet the artist is bound to ...
Page 71
... represent reality in a mode convincing to the mind as well as to the eye , consistently to relate solid objects to each other and to the area about them , I and to unify the composition . Thus was erected the coherent perspective of the ...
... represent reality in a mode convincing to the mind as well as to the eye , consistently to relate solid objects to each other and to the area about them , I and to unify the composition . Thus was erected the coherent perspective of the ...
Page 73
... represent reality . This system was " too difficult and abstract ” for his predecessors . The necessities of ... represented as a relief imitating closely the object seen . " This is the strange renaissance synthesis of seeming ...
... represent reality . This system was " too difficult and abstract ” for his predecessors . The necessities of ... represented as a relief imitating closely the object seen . " This is the strange renaissance synthesis of seeming ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin